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gptkbp:instanceOf
|
musical
|
|
gptkbp:adaptedInto
|
Hadestown_(album)
|
|
gptkbp:boxOffice
|
over $30 million
|
|
gptkbp:createdBy
|
gptkb:Anaïs_Mitchell
|
|
gptkbp:design
|
gptkb:Rachel_Hauck
|
|
gptkbp:featuresCharacter
|
gptkb:Eurydice
Orpheus
Persephone
Hades
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gptkbp:filmography
|
musical theatre
|
|
gptkbp:hasAwards
|
gptkb:Tony_Award_for_Best_Musical
gptkb:Tony_Award_for_Best_Direction_of_a_Musical
gptkb:Tony_Award_for_Best_Featured_Actress_in_a_Musical
gptkb:Tony_Award_for_Best_Original_Score
|
|
gptkbp:hasDescription
|
gptkb:Rachel_Hauck
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Hadestown
|
|
gptkbp:influencedBy
|
gptkb:American_folk_music
jazz music
|
|
gptkbp:inspiredBy
|
The Orpheus myth
The Underworld myth
|
|
gptkbp:internationalRelations
|
gptkb:Hadestown_Australian_Production
gptkb:Hadestown_Canadian_Production
gptkb:Hadestown_London_Production
|
|
gptkbp:language
|
English
|
|
gptkbp:lighting
|
gptkb:Bradley_King
|
|
gptkbp:movement
|
gptkb:Belinda_Chappell
gptkb:David_Neumann
|
|
gptkbp:narrativeStyle
|
death and rebirth
love and sacrifice
fate and free will
|
|
gptkbp:notableSong
|
gptkb:Epic_I
gptkb:Our_Lady_of_the_Underground
Finale
Wait for Me
All I've Ever Known
Hey, Little Songbird
Livin' It Up on Top
Why We Build the Wall
If It's True
|
|
gptkbp:number_of_stages
|
gptkb:Katherine_K._H._Lee
|
|
gptkbp:numberOfStudents
|
Two
|
|
gptkbp:performedBy
|
gptkb:Walter_Kerr_Theatre
|
|
gptkbp:premieredOn
|
May 6, 2016
|
|
gptkbp:producedBy
|
gptkb:David_Lai
gptkb:Anaïs_Mitchell
gptkb:Dee_Dee_Bridgewater
|
|
gptkbp:releaseDate
|
gptkb:Hadestown_(Original_Broadway_Cast_Recording)
|
|
gptkbp:setIn
|
gptkb:Greek_mythology
|
|
gptkbp:soundtrack
|
gptkb:Nevin_Steinberg
|
|
gptkbp:style
|
folk opera
|
|
gptkbp:targetAudience
|
adults
theatre enthusiasts
|
|
gptkbp:tour
|
gptkb:Hadestown_National_Tour
|