Statements (56)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:associated_with |
gptkb:University_of_Illinois
avant-garde music experimental theater interdisciplinary art New York avant-garde scene |
| gptkbp:available_formats |
CD
LP digital download |
| gptkbp:collaborations |
gptkb:Lejaren_Hiller
|
| gptkbp:created_by |
gptkb:John_Cage
|
| gptkbp:cultural_impact |
influenced electronic music composers
|
| gptkbp:duration |
approximately 90 minutes
|
| gptkbp:features |
visual elements
|
| https://www.w3.org/2000/01/rdf-schema#label |
HPSCHD
|
| gptkbp:influenced |
algorithmic composition
postmodern music |
| gptkbp:influenced_by |
chance operations
|
| gptkbp:inspired_by |
the concept of indeterminacy
|
| gptkbp:instrument |
gptkb:musician
electronics strings percussion winds |
| gptkbp:legacy |
considered a landmark in computer music
|
| gptkbp:notable_feature |
site-specific performances
audience participation exploration of silence exploration of time perception influence on sound art integration of visual art exploration of randomness use of chance procedures collaboration with technology exploration of audience experience exploration of sound space exploration of technology in art multi-media presentation randomized score generation use of graphic scores |
| gptkbp:notable_for |
use of computer-generated music
|
| gptkbp:notable_performance |
gptkb:Miller_Theatre,_Columbia_University
|
| gptkbp:notable_recordings |
Cage's original performance
subsequent interpretations |
| gptkbp:performed_by |
various festivals
various ensembles |
| gptkbp:premiere_date |
gptkb:1969
|
| gptkbp:published_by |
Cage's own publishing company
|
| gptkbp:record_label |
Cage's label
|
| gptkbp:related_to |
gptkb:Hiller's_Musicomp
|
| gptkbp:style |
experimental music
|
| gptkbp:type |
gptkb:musical
|
| gptkbp:uses |
tape and live performance
|
| gptkbp:year_created |
gptkb:1969
|
| gptkbp:bfsParent |
gptkb:John_Cage
|
| gptkbp:bfsLayer |
4
|