Statements (51)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:arrangements |
arranged for various ensembles
|
| gptkbp:characteristics |
rhythmic complexity
thematic development dynamic contrasts use of motifs lyrical melodies expressive phrasing use of silence use of dissonance contrasting sections celebrated for its innovation contrapuntal textures harmonic richness exploration of timbre melodic interplay use of call and response use of syncopation varied articulations frequent performance in competitions influence on guitar pedagogy frequently analyzed in musicology studies interplay of textures use of traditional Brazilian rhythms inspired new compositions for guitar ensemble often included in guitar repertoire lists popular in guitar festivals |
| gptkbp:composer |
gptkb:Heitor_Villa-Lobos
|
| gptkbp:cultural_significance |
important work in guitar repertoire
|
| gptkbp:dedication |
to the memory of the composer’s father
|
| gptkbp:duration |
approximately 15 minutes
|
| gptkbp:genre |
gptkb:chamber_music
|
| https://www.w3.org/2000/01/rdf-schema#label |
Guitar Quartet No. 1
|
| gptkbp:influenced_by |
European classical music
|
| gptkbp:influences |
Brazilian folk music
|
| gptkbp:instruments |
4 guitars
|
| gptkbp:notable_performers |
gptkb:Los_Angeles_Guitar_Quartet
|
| gptkbp:number_of_movements |
gptkb:4
|
| gptkbp:performed_in |
gptkb:musical_group
|
| gptkbp:premiere_date |
gptkb:1940
|
| gptkbp:premiere_location |
gptkb:Rio_de_Janeiro
|
| gptkbp:published_by |
gptkb:Max_Eschig
|
| gptkbp:recordings |
multiple recordings available
|
| gptkbp:related_works |
gptkb:Guitar_Quartet_No._2
|
| gptkbp:second_movement |
gptkb:Allegro
gptkb:Scherzo gptkb:Adagio |
| gptkbp:style |
neoclassical
|
| gptkbp:year_composed |
gptkb:1940
|
| gptkbp:bfsParent |
gptkb:The_Los_Angeles_Guitar_Quartet
|
| gptkbp:bfsLayer |
5
|