|
gptkbp:instanceOf
|
gptkb:music
|
|
gptkbp:alsoKnownAs
|
Greek blues
|
|
gptkbp:associatedWith
|
urban working class
|
|
gptkbp:bannedIn
|
Metaxas dictatorship
|
|
gptkbp:centralTo
|
gptkb:Athens
gptkb:Piraeus
gptkb:Thessaloniki
gptkb:Smyrna
|
|
gptkbp:culturalSignificance
|
expression of urban subculture
|
|
gptkbp:danceType
|
gptkb:zeibekiko
gptkb:tsifteteli
hasapiko
|
|
gptkbp:developedBy
|
early 20th century
|
|
gptkbp:genre
|
gptkb:Dimotiko
Laïko
Smyrneiko
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Greek Rebetiko music
|
|
gptkbp:influencedBy
|
gptkb:Ottoman_music
gptkb:Greek_folk_music
gptkb:Byzantine_music
|
|
gptkbp:language
|
gptkb:Greek
|
|
gptkbp:notableArtist
|
gptkb:Sotiria_Bellou
gptkb:Vassilis_Tsitsanis
gptkb:Markos_Vamvakaris
gptkb:Rita_Abatzi
|
|
gptkbp:notableSong
|
gptkb:Synnefiasmeni_Kyriaki
gptkb:Frangosyriani
Oloi oi rebetes tou dounia
Ta matia dyo
To minore tis avgis
|
|
gptkbp:originatedIn
|
gptkb:Greece
|
|
gptkbp:performedWith
|
gptkb:guitar
gptkb:accordion
bouzouki
baglamas
|
|
gptkbp:recordedAt
|
1920s
|
|
gptkbp:recordLabel
|
gptkb:Columbia
gptkb:Odeon
His Master's Voice
|
|
gptkbp:revival
|
1970s
|
|
gptkbp:subjectOf
|
documentaries
academic studies
feature films
|
|
gptkbp:themeMusicComposer
|
gptkb:prison
love
drugs
poverty
social marginalization
|
|
gptkbp:UNESCOWorldHeritageSite
|
2017
|
|
gptkbp:bfsParent
|
gptkb:Intangible_Cultural_Properties
|
|
gptkbp:bfsLayer
|
7
|