Statements (57)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
musical composition
|
| gptkbp:built |
1795
|
| gptkbp:composer |
gptkb:Ludwig_van_Beethoven
|
| gptkbp:cultural_significance |
important work in piano repertoire
|
| gptkbp:dedication |
gptkb:Joseph_Haydn
|
| gptkbp:duration |
approximately 3 minutes
|
| gptkbp:genre |
classical music
|
| gptkbp:historicalContext |
composed_during_Beethoven's_early_career
|
| https://www.w3.org/2000/01/rdf-schema#label |
Grave from Sonata No. 2
|
| gptkbp:influence |
Sonata_form
|
| gptkbp:instrument |
piano
|
| gptkbp:keyIssues |
A major
|
| gptkbp:movement |
Allegro
Grave Allegro molto e con brio |
| gptkbp:notableFeature |
gptkb:Artur_Schnabel
gptkb:Vladimir_Horowitz gptkb:Daniel_Barenboim |
| gptkbp:partOf |
Sonata No. 2 in A major, Op. 2, No. 2
|
| gptkbp:performance |
interpretation varies by performer
|
| gptkbp:publisher |
Artaria
|
| gptkbp:recordings |
gptkb:Beethoven:_The_Complete_Piano_Sonatas
|
| gptkbp:relatedPatent |
Sonata No. 1 in F minor, Op. 2, No. 1
Sonata No. 3 in C major, Op. 2, No. 3 |
| gptkbp:signature |
4/4
|
| gptkbp:soundtrack |
chromaticism
use of counterpoint rhythmic complexity thematic development dynamic contrasts use of motifs expressive phrasing use of silence use of ornamentation textural variety use of dynamics harmonic exploration contrapuntal writing melodic contour use of articulation use of improvisation use of phrasing use of rubato use of syncopation use of pedal techniques use of thematic transformation use of cadences use of tempo changes use of dynamics in expression use of harmonic rhythm use of harmonic tension use of melodic development use of rhythmic motifs use of structural elements use of thematic contrast |
| gptkbp:speed |
grave
|
| gptkbp:style |
early romantic
|