gptkbp:instance_of
|
gptkb:novel
|
gptkbp:adaptation_year
|
gptkb:1973
gptkb:1980
gptkb:2000
gptkb:2015
|
gptkbp:adaptations
|
gptkb:theater
gptkb:miniseries
gptkb:film
gptkb:stage_play
|
gptkbp:author
|
gptkb:João_Guimarães_Rosa
|
gptkbp:awards
|
gptkb:Jabuti_Prize
Prêmio Machado de Assis
|
gptkbp:character
|
self-discovery
|
gptkbp:critical_reception
|
acclaimed
|
gptkbp:cultural_significance
|
important in Brazilian culture
|
gptkbp:genre
|
literary fiction
|
gptkbp:influence
|
Brazilian literature
|
gptkbp:influenced_artists
|
gptkb:Milton_Hatoum
gptkb:Adélia_Prado
gptkb:historical_fiction
gptkb:Chico_Buarque
Western
philosophical fiction
|
gptkbp:inspiration
|
regionalism
magic realism
|
gptkbp:language
|
gptkb:Portuguese
|
gptkbp:literary_devices
|
gptkb:Linguistics
gptkb:metaphor
gptkb:allegory
imagery
|
gptkbp:main_character
|
gptkb:Riobaldo
|
gptkbp:narrative
|
first-person
|
gptkbp:narrative_style
|
non-linear
|
gptkbp:notable_quote
|
“ The world is a great book, and those who do not travel read only a page.”
“ To be a man is to be a traveler.”
|
gptkbp:published
|
gptkb:1956
|
gptkbp:setting
|
gptkb:Brazil
|
gptkbp:symbolism
|
the sertão
the jagunço
|
gptkbp:themes
|
gptkb:existentialism
love
violence
|
gptkbp:translated_into
|
gptkb:French
gptkb:Spanish
gptkb:German
English
|
gptkbp:bfsParent
|
gptkb:João_Guimarães_Rosa
gptkb:Guimarães_Rosa
|
gptkbp:bfsLayer
|
6
|