Statements (57)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:opera
|
| gptkbp:adaptation |
gptkb:piano
|
| gptkbp:adaptations |
adapted into other art forms
|
| gptkbp:based_on |
paintings of Francisco Goya
|
| gptkbp:character_development |
complex character arcs
|
| gptkbp:composer |
gptkb:Manuel_de_Falla
|
| gptkbp:critical_reception |
received positive reviews at premiere
|
| gptkbp:cultural_impact |
part of Spanish operatic repertoire
|
| gptkbp:cultural_references |
references to Goya's works
|
| gptkbp:cultural_significance |
celebrates Spanish culture
|
| gptkbp:dedicated_to |
the art of Goya
|
| gptkbp:famous_for |
its rich harmonies
|
| gptkbp:first_performance |
gptkb:Metropolitan_Opera_House
|
| gptkbp:focus |
the life of the artist
|
| gptkbp:genre |
lyric opera
lyric drama |
| gptkbp:historical_context |
set in 18th century Spain
|
| gptkbp:historical_legacy |
remains a staple in opera repertoire
|
| https://www.w3.org/2000/01/rdf-schema#label |
Goyescas
|
| gptkbp:influenced_artists |
inspired later Spanish composers
|
| gptkbp:influenced_by |
Spanish folk music
impressionism in music Spanish dance forms |
| gptkbp:language |
gptkb:Spanish
|
| gptkbp:librettist |
José Martínez Ruiz
Hermanos Álvarez Quintero |
| gptkbp:music_style |
impressionistic elements
|
| gptkbp:notable_aria |
La Maja y el Ruiseñor
|
| gptkbp:notable_awards |
won awards for its music
|
| gptkbp:notable_character |
the Goyesque painter
the Maja |
| gptkbp:notable_collaborations |
collaborated with famous conductors
La Maja y el Ruiseñor duet |
| gptkbp:notable_influence |
influenced Spanish music education
influenced visual arts as well |
| gptkbp:notable_locations |
the Spanish countryside
|
| gptkbp:notable_performance |
performed by famous opera singers
|
| gptkbp:notable_performers |
performed by leading opera companies
|
| gptkbp:notable_production |
performed at the Teatro Real
|
| gptkbp:notable_production_team |
collaborated with prominent directors
|
| gptkbp:notable_recordings |
available in various formats
|
| gptkbp:notable_scene |
the painting scene
|
| gptkbp:notable_song |
features a significant choral component
|
| gptkbp:notable_themes |
explores themes of art and love
|
| gptkbp:number_of_acts |
2
|
| gptkbp:orchestration |
orchestra and piano
|
| gptkbp:performance_tradition |
performed in Spanish opera houses
|
| gptkbp:premiere |
1916
|
| gptkbp:premiere_date |
1916
|
| gptkbp:recordings |
multiple recordings exist
|
| gptkbp:revival |
frequently revived in modern opera houses
|
| gptkbp:setting |
gptkb:Spain
|
| gptkbp:thematic_element |
love and jealousy
|
| gptkbp:theme |
recurring motifs throughout the opera
|
| gptkbp:type |
gptkb:opera
|
| gptkbp:bfsParent |
gptkb:Enrique_Granados
|
| gptkbp:bfsLayer |
5
|