Properties (52)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:Baronet
|
| gptkbp:associatedWith |
gptkb:Neapolitan_school_of_music
gptkb:Italian_Renaissance music theory sacred and secular music musical innovation musicological studies musical aesthetics madrigal genre Renaissance_music |
| gptkbp:born |
March 8, 1566
|
| gptkbp:child |
gptkb:Ettore_Gesualdo
|
| gptkbp:contribution |
development of chromaticism
|
| gptkbp:culturalSignificance |
Renaissance
|
| gptkbp:died |
September 8, 1613
|
| gptkbp:famousFor |
his unique harmonic style
|
| gptkbp:genre |
polyphonic music
|
| gptkbp:historicalSignificance |
unique approach to dissonance
|
| https://www.w3.org/2000/01/rdf-schema#label |
Giovanni Gesualdo III
|
| gptkbp:influence |
avant-garde music
20th-century music music education film music modern classical music choral arrangements contemporary classical composers modern choral repertoire |
| gptkbp:influencedBy |
Italian_madrigalists
|
| gptkbp:inspiration |
later composers
|
| gptkbp:instrument |
voice
|
| gptkbp:is_a_member_of |
musicians
|
| gptkbp:knownFor |
music composition
|
| gptkbp:legacy |
influence on choral music
|
| gptkbp:notableEvent |
complex counterpoint
experimentation with musical form use of text painting dramatic use of harmony emotional expressiveness in music exploration of human emotion in music integration of poetry and music sacred music compositions secular music compositions |
| gptkbp:notableWork |
gptkb:Tenebrae_Responsories
Madrigals Lamentations of Jeremiah Sacred_Music Madrigals,_Books_1-6 |
| gptkbp:occupation |
composer
|
| gptkbp:religion |
Catholicism
|
| gptkbp:residence |
gptkb:Venosa
|
| gptkbp:spouse |
gptkb:Maria_d'Avalos
|
| gptkbp:title |
Prince of Venosa
|