Statements (88)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:Film_Director
gptkb:Politician gptkb:playwright |
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:Francesco_Andreini
|
| gptkbp:active_years |
1590-1650
|
| gptkbp:artistic_influence |
Innovations in theatrical performance
|
| gptkbp:associated_act |
gptkb:Commedia_dell'arte
|
| gptkbp:associated_with |
gptkb:Accademia_degli_Intronati
|
| gptkbp:birth_date |
1576
|
| gptkbp:birth_place |
gptkb:Florence
|
| gptkbp:children |
gptkb:Francesco_Andreini
|
| gptkbp:contribution |
Development of Commedia dell'arte
|
| gptkbp:cultural_impact |
Influence on modern theater
|
| gptkbp:cultural_significance |
Key figure in Italian Renaissance theater
|
| gptkbp:death_date |
1654
|
| gptkbp:death_place |
gptkb:Milan
|
| gptkbp:famous_for |
His performances in Commedia dell'arte
His role in the development of Italian theater |
| gptkbp:famous_person |
gptkb:Il_Capitano
|
| gptkbp:filmography |
gptkb:Compagnia_dei_Comici
gptkb:Compagnia_dei_Comici_dell'arte gptkb:Compagnia_dei_Gelosi gptkb:Compagnia_dei_Nobili |
| gptkbp:genre |
gptkb:musical
|
| gptkbp:historical_context |
gptkb:Renaissance_Italy
|
| gptkbp:historical_period |
16th century
17th century |
| https://www.w3.org/2000/01/rdf-schema#label |
Giovanni Andreini
|
| gptkbp:influence |
Modern improvisational theater
|
| gptkbp:influenced |
Italian theater
Theater in Europe |
| gptkbp:influenced_by |
gptkb:Molière
|
| gptkbp:inspiration |
Theatrical performers
|
| gptkbp:known_for |
Improvisational theater
|
| gptkbp:language |
gptkb:Italian
|
| gptkbp:legacy |
Influence on theatrical improvisation
|
| gptkbp:music_style |
gptkb:Improvisation
Physical comedy Stock characters Narrative storytelling Audience interaction Use of masks Improvisational skills Character-based comedy Physicality in performance Improvised dialogue Social commentary through comedy Adaptation of classical themes in performance Character development through improvisation Collaboration with other performers Commedia dell'arte style Development of comedic timing Engagement with cultural themes Exaggerated gestures Exploration of cultural identity through theater Exploration of existential themes in comedy Exploration of historical context in theater Exploration of human emotions through comedy Exploration of identity through performance Exploration of morality through comedy Exploration of power dynamics in performance Exploration of relationships through theater Exploration of social issues through theater Exploration of the human condition through theater Integration of audience feedback in performance Integration of dance in performance Role of the audience in performance Use of absurdity in performance Use of dialogue to create tension Use of humor to address serious topics Use of irony in comedy Use of music and song Use of parody in performance Use of physical space in performance Use of props in performance Use of satire in performance Use of symbolism in performance Use of visual storytelling in theater |
| gptkbp:nationality |
gptkb:Italian
|
| gptkbp:notable_achievement |
Pioneering improvisational theater
|
| gptkbp:notable_performance |
Il Capitano in various plays
|
| gptkbp:notable_work |
La Pazzia di Isabella
|
| gptkbp:occupation |
gptkb:Actor
gptkb:High_School Theater manager |
| gptkbp:spouse |
gptkb:Virginia_Andreini
|
| gptkbp:style |
gptkb:festival
|