|
gptkbp:instance_of
|
gptkb:film_production_company
gptkb:Film_Director
gptkb:Screenwriter
|
|
gptkbp:active_years_end
|
1938
|
|
gptkbp:active_years_start
|
1915
|
|
gptkbp:associated_act
|
French avant-garde cinema
|
|
gptkbp:award
|
Best Director at the 1930 Venice Film Festival
|
|
gptkbp:birth_date
|
1882-12-17
|
|
gptkbp:contribution
|
feminist film theory
|
|
gptkbp:death_date
|
1942-06-20
|
|
gptkbp:education
|
gptkb:École_des_Beaux-Arts
|
|
gptkbp:film
|
gptkb:Surrealism
Avant-garde
Feminist cinema
|
|
gptkbp:genre
|
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Germaine Dulac
|
|
gptkbp:influence
|
gptkb:French_New_Wave_filmmakers
|
|
gptkbp:influenced
|
documentary filmmakers
future generations of filmmakers
experimental filmmakers
|
|
gptkbp:influenced_by
|
gptkb:Impressionism
gptkb:Surrealism
|
|
gptkbp:known_for
|
innovative narrative techniques
feminist themes in cinema
visual poetry in film
|
|
gptkbp:legacy
|
pioneering female filmmaker
contribution to film theory
impact on feminist cinema
|
|
gptkbp:nationality
|
gptkb:French
|
|
gptkbp:notable_film
|
La Coquille et le Clergyman
The Seashell and the Clergyman
The Smiling Madame Beudet
|
|
gptkbp:notable_work
|
La Coquille et le Clergyman
The Seashell and the Clergyman
The Smiling Madame Beudet
|
|
gptkbp:occupation
|
gptkb:filmmakers
|
|
gptkbp:place_of_birth
|
gptkb:Amiens,_France
|
|
gptkbp:place_of_death
|
gptkb:Paris,_France
|
|
gptkbp:spouse
|
Henri Chomette
|
|
gptkbp:bfsParent
|
gptkb:Joris_Ivens
|
|
gptkbp:bfsLayer
|
6
|