|
gptkbp:instance_of
|
gptkb:fictional_character
|
|
gptkbp:appears_in
|
gptkb:The_Lives_of_Others
|
|
gptkbp:awards
|
gptkb:Academy_Award_for_Best_Foreign_Language_Film
|
|
gptkbp:conflict
|
moral dilemma
|
|
gptkbp:depicts
|
humanity in oppressive regimes
|
|
gptkbp:developer
|
character arc
|
|
gptkbp:director
|
gptkb:Florian_Henckel_von_Donnersmarck
|
|
gptkbp:filmography
|
gptkb:The_Lives_of_Others
|
|
gptkbp:has_transformation
|
from antagonist to sympathetic character
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Gerd Wiesler
|
|
gptkbp:impact
|
cultural memory
|
|
gptkbp:influence
|
post-communist Germany
|
|
gptkbp:is_criticized_for
|
gptkb:political_organization
|
|
gptkbp:is_motivated_by
|
loyalty to the state
|
|
gptkbp:legacy
|
cinematic representation of Stasi
|
|
gptkbp:narrative_style
|
first-person perspective
|
|
gptkbp:nationality
|
East German
|
|
gptkbp:occupation
|
Stasi officer
|
|
gptkbp:portrayed_by
|
gptkb:Ulrich_Mühe
|
|
gptkbp:relationship
|
gptkb:Christa-Maria_Sieland
gptkb:Georg_Dreyman
|
|
gptkbp:role
|
gptkb:fictional_character
|
|
gptkbp:setting
|
gptkb:East_Germany
|
|
gptkbp:symbolizes
|
moral complexity
|
|
gptkbp:theme
|
surveillance
|
|
gptkbp:year
|
gptkb:2006
|
|
gptkbp:bfsParent
|
gptkb:The_Lives_of_Others
gptkb:La_vida_de_los_otros
|
|
gptkbp:bfsLayer
|
4
|