Properties (54)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
painter
|
| gptkbp:artwork |
gptkb:National_Gallery_of_Art,_Washington,_D.C.
gptkb:National_Gallery,_London gptkb:Art_Institute_of_Chicago gptkb:Museum_of_Fine_Arts,_Boston Rijksmuseum,_Amsterdam Louvre,_Paris Kunsthistorisches_Museum,_Vienna Dulwich_Picture_Gallery,_London Prado_Museum,_Madrid Walters_Art_Museum,_Baltimore |
| gptkbp:birthDate |
1592
|
| gptkbp:campusFacilities |
Abraham Bloemaert
|
| gptkbp:deathDate |
1656
|
| https://www.w3.org/2000/01/rdf-schema#label |
Gerard van Honthorst
|
| gptkbp:influenced |
Baroque artists
Dutch_painters |
| gptkbp:influencedBy |
Caravaggio
|
| gptkbp:knownFor |
Baroque painting
|
| gptkbp:movement |
gptkb:Dutch_Golden_Age_painting
|
| gptkbp:nationality |
Dutch
|
| gptkbp:notableFeature |
gptkb:Jan_van_Bijlert
dramatic lighting emotional expression realism genre painting portraiture religious themes still life symbolism use of color social realism mythological themes intimate settings historical accuracy cultural commentary historical painting rich textures narrative scenes textural detail dramatic compositions dynamic poses emphasis on narrative depiction of human emotion spatial depth allegorical painting emphasis on light and shadow interaction of figures |
| gptkbp:notableWork |
gptkb:The_Supper_at_Emmaus
The Concert The Prodigal Son |
| gptkbp:placeOfBirth |
gptkb:Utrecht
|
| gptkbp:placeOfDeath |
gptkb:Utrecht
|
| gptkbp:style |
Tenebrism
|