gptkbp:instanceOf
|
theater
|
gptkbp:associatedWith
|
satire
social commentary
|
gptkbp:availableIn
|
19th century
|
gptkbp:characterizedBy
|
melodrama
comedy of manners
|
gptkbp:developedBy
|
18th century
|
https://www.w3.org/2000/01/rdf-schema#label
|
Georgian theater
|
gptkbp:influenced
|
Victorian theater
|
gptkbp:influencedBy
|
gptkb:French_theater
Restoration theater
Italian_theater
|
gptkbp:isReflectedIn
|
20th century
|
gptkbp:notableArtists
|
gptkb:John_Philip_Kemble
gptkb:Charles_Macklin
gptkb:Sarah_Siddons
gptkb:David_Garrick
|
gptkbp:notableFeature
|
gptkb:Theatre_Royal,_Edinburgh
gptkb:Drury_Lane_Theatre
gptkb:Theatre_Royal,_Bath
gptkb:Covent_Garden_Theatre
|
gptkbp:notablePlayer
|
gptkb:Richard_Brinsley_Sheridan
gptkb:David_Garrick
|
gptkbp:notableWorks
|
gptkb:The_School_for_Scandal
gptkb:She_Stoops_to_Conquer
The Rehearsal
The Rivals
The Provoked Wife
The Relapse
The Way of the World
The Beaux' Stratagem
The Tender Husband
The Female Quixote
The Country Wife
The Conscious Lovers
The Old Bachelor
The Man of Mode
The Clandestine Marriage
The Constant Couple
The Good-Natured Man
The Man of the World
The Hypocrite
The Busybody
The Critique
The Maid of the Mill
The_Trip_to_Scarborough
|
gptkbp:originatedIn
|
gptkb:England
|
gptkbp:popularActivities
|
tragedy
farce
|