Properties (52)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:Film_Director
|
| gptkbp:activeYears |
1897
1920 |
| gptkbp:artwork |
Cinematography
Editing Film history Film theory Historical significance Lighting design Film distribution Pantomime Narrative structure Character development Film criticism Film preservation Artistic expression Film festivals Film education Set design Audience engagement Cultural impact Sound effects Visual storytelling Costume design Creative collaboration Film analysis Film awards Stop motion Cutout animation Film restoration Film marketing Optical illusions Makeup effects Double exposure Trick photography Genre innovation Film audience research |
| gptkbp:associatedAct |
gptkb:The_Brighton_School
|
| gptkbp:birthDate |
1864-01-04
|
| gptkbp:contribution |
Special effects in film
|
| gptkbp:deathDate |
1959-03-31
|
| https://www.w3.org/2000/01/rdf-schema#label |
George Albert Smith
|
| gptkbp:influenced |
gptkb:British_film_industry
|
| gptkbp:influencedBy |
gptkb:Georges_Méliès
|
| gptkbp:knownFor |
Early_British_cinema
|
| gptkbp:nationality |
British
|
| gptkbp:notableWork |
The Haunted House
The Kiss in the Tunnel The_X-Rays |
| gptkbp:occupation |
Cinematographer
Magician |
| gptkbp:spouse |
gptkb:Laura_Smith
|