Statements (306)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:novel
gptkb:film |
| gptkbp:adaptation |
gptkb:television
gptkb:film |
| gptkbp:art_style |
stylish cinematography.
|
| gptkbp:artistic_director |
None.
|
| gptkbp:author |
gptkb:Len_Deighton
|
| gptkbp:available_on |
gptkb:DVD
gptkb:Blu-ray |
| gptkbp:based_on |
novel by Len Deighton
|
| gptkbp:box_office |
$2.5 million
$1.5 million £1.5 million |
| gptkbp:budget |
$1.5 million
£1 million |
| gptkbp:character |
gptkb:The_Diplomat
gptkb:Harry_Palmer gptkb:The_Operative gptkb:The_Researcher gptkb:The_Bystander's_Guide gptkb:Lisa gptkb:The_Friend gptkb:The_Informer gptkb:The_Stranger gptkb:The_Assistant gptkb:The_Mentor gptkb:The_Interrogator gptkb:The_Defector gptkb:The_Outsider gptkb:General_Karpov gptkb:The_Insider gptkb:Klaus gptkb:The_Enemy gptkb:The_Traitor gptkb:Major_Cannon gptkb:Colonel_Stok gptkb:The_General gptkb:Mason gptkb:The_Colonel gptkb:The_Politician gptkb:The_Survivor gptkb:The_Assassin gptkb:The_Informant gptkb:The_Spy gptkb:The_Witness gptkb:The_Mole gptkb:The_Guide gptkb:The_Observer The Technician The Analyst The Rival The Secretary The Contact The Bystander The Agent The Partner The Acquaintance The Handler The Veteran The Bystander's Friend The Ally The Double Agent The Spy Master The Newcomer The New Recruit The Bystander's Partner The Old Friend The Recruiter The Bystander's Mentor The Bystander's Rival The Aide The Handler's Assistant The Analyst's Assistant The Bystander's Acquaintance The Bystander's Friend's Acquaintance The Bystander's Friend's Stranger The Bystander's Ally The Bystander's Enemy The Field Agent The Bystander's Friend's Partner The Bureaucrat The Bystander's Friend's Bystander's Friend's Bystander's Friend's Mentor The Bystander's Friend's Bystander's Friend's Bystander's Partner The Bystander's Friend's Bystander's Friend's Enemy The Bystander's Friend's Bystander's Friend's Bystander's Ally The Bystander's Friend's Bystander's Friend's Rival The Bystander's Friend's Bystander's Friend's Bystander's Friend's Ally The Bystander's Friend's Bystander's Friend's Bystander's Friend's Guide The Bystander's Friend's Bystander's Friend's Bystander's Guide The Bystander's Friend's Bystander's Friend's Bystander's Rival The Bystander's Friend's Bystander's Friend's Bystander The Bystander's Friend's Ally The Bystander's Friend's Bystander The Bystander's Friend's Bystander's Acquaintance The Bystander's Friend's Bystander's Ally The Bystander's Friend's Bystander's Enemy The Bystander's Friend's Bystander's Friend The Bystander's Friend's Bystander's Friend's Ally The Bystander's Friend's Bystander's Guide The Bystander's Friend's Bystander's Mentor The Bystander's Friend's Bystander's Partner The Bystander's Friend's Bystander's Rival The Bystander's Friend's Enemy The Bystander's Friend's Guide The Bystander's Friend's Mentor The Bystander's Friend's Rival The Liaison The Old Hand The Veteran Agent The Bystander's Friend's Bystander's Friend's Bystander's Friend's Stranger The Bystander's Friend's Bystander's Friend's Bystander's Enemy The Bystander's Friend's Bystander's Friend's Mentor The Bystander's Friend's Bystander's Friend's Bystander's Friend's Partner The Bystander's Friend's Bystander's Friend's Bystander's Mentor The Bystander's Friend's Bystander's Friend's Acquaintance The Bystander's Friend's Bystander's Friend's Stranger The Bystander's Friend's Bystander's Friend's Bystander's Friend's Acquaintance The Bystander's Friend's Bystander's Friend's Bystander's Friend's Enemy The Bystander's Friend's Bystander's Friend's Bystander's Friend's Bystander The Bystander's Friend's Bystander's Friend's Bystander's Acquaintance The Bystander's Friend's Bystander's Friend's Bystander's Friend's Rival The Bystander's Friend's Bystander's Friend's Bystander's Friend The Bystander's Friend's Bystander's Friend's Partner The Bystander's Friend's Bystander's Friend's Guide |
| gptkbp:character_arc |
Harry Palmer evolves throughout the film.
|
| gptkbp:character_development |
Harry Palmer's character is complex.
|
| gptkbp:cinematography |
gptkb:Denys_Coop
Ousama R. K. K. K. Denys Coop. |
| gptkbp:cinematography_by |
gptkb:Oswald_Morris
gptkb:Denys_Coop |
| gptkbp:color |
gptkb:Eastmancolor
Black and white |
| gptkbp:colorist |
None.
|
| gptkbp:contains |
action sequences
|
| gptkbp:costume_design |
None.
|
| gptkbp:country |
gptkb:United_Kingdom
|
| gptkbp:critical_analysis |
examines themes of trust and betrayal.
|
| gptkbp:critical_reception |
generally positive
mixed reviews |
| gptkbp:cultural_impact |
cult following
influenced spy genre |
| gptkbp:cultural_significance |
reflects 1960s attitudes towards espionage.
|
| gptkbp:depicts |
espionage activities
|
| gptkbp:design |
None.
|
| gptkbp:directed_by |
gptkb:Guy_Hamilton
gptkb:Sidney_Lumet |
| gptkbp:director |
gptkb:Alfred_Vohrer
gptkb:Guy_Hamilton None. |
| gptkbp:distributor |
gptkb:20th_Century_Fox
|
| gptkbp:edited_by |
gptkb:John_Bloom
gptkb:Peter_Hunt |
| gptkbp:editing |
gptkb:John_Glen
gptkb:Peter_Tanner |
| gptkbp:editor |
John Glen.
|
| gptkbp:features |
gptkb:action
gptkb:drama espionage thriller elements Cold War themes |
| gptkbp:features_song |
gptkb:John_Barry's_score
|
| gptkbp:film_editing |
gptkb:Michael_Caine
|
| gptkbp:film_festival |
gptkb:Cannes_Film_Festival
|
| gptkbp:film_score |
John Barry's score is notable.
|
| gptkbp:film_series |
gptkb:Harry_Palmer_series
|
| gptkbp:filming_location |
gptkb:Berlin
|
| gptkbp:followed_by |
gptkb:Billion_Dollar_Brain
An Expensive Place to Die |
| gptkbp:follows |
gptkb:Harry_Palmer
gptkb:The_Ipcress_File |
| gptkbp:genre |
gptkb:Espionage
spy fiction |
| gptkbp:has_cameo |
None.
|
| gptkbp:has_theme |
gptkb:national_security
gptkb:betrayal gptkb:loyalty gptkb:moral_ambiguity gptkb:political_intrigue gptkb:survival gptkb:conflict gptkb:deception gptkb:identity gptkb:intelligence_gathering gptkb:intelligence_operations gptkb:international_relations gptkb:sacrifice gptkb:trust Cold War tensions intelligence agencies intelligence failures spy networks trust issues moral dilemmas surveillance personal conflict double agents undercover operations personal sacrifice covert missions political espionage spy gadgets government conspiracies secret missions surveillance tactics spycraft covert intelligence loyalty to country betrayal in espionage espionage ethics deception in espionage spy versus spy |
| gptkbp:historical_context |
set during the Cold War.
|
| gptkbp:home_media_release |
gptkb:DVD
gptkb:Blu-ray |
| https://www.w3.org/2000/01/rdf-schema#label |
Funeral in Berlin
|
| gptkbp:influenced |
subsequent spy films
|
| gptkbp:influenced_by |
gptkb:James_Bond_films
film noir spy novels Cold War themes film noir style British cinema of the 1960s real-life espionage. British cinema of the 1960s. spy novels of the 1960s the Berlin Wall. the Cold War atmosphere. |
| gptkbp:influences |
gptkb:Ian_Fleming
gptkb:John_le_Carré |
| gptkbp:inspired |
subsequent spy films
|
| gptkbp:inspired_by |
real espionage events
|
| gptkbp:is_distributed_by |
gptkb:20th_Century_Fox
|
| gptkbp:language |
English
|
| gptkbp:legacy |
remains a classic in the spy genre.
|
| gptkbp:main_character |
Bernard Samson
|
| gptkbp:makeup_artist |
None.
|
| gptkbp:music |
gptkb:John_Barry
|
| gptkbp:music_by |
gptkb:John_Barry
|
| gptkbp:music_composer |
gptkb:John_Barry
John Barry. |
| gptkbp:narrative_style |
third-person perspective
|
| gptkbp:narrative_theme |
espionage
|
| gptkbp:notable_awards |
None.
|
| gptkbp:notable_casting_director |
None.
|
| gptkbp:notable_for |
Michael Caine's performance
|
| gptkbp:notable_line_producer |
None.
|
| gptkbp:notable_location_manager |
None.
|
| gptkbp:notable_music_supervisor |
None.
|
| gptkbp:notable_post_production_supervisor |
None.
|
| gptkbp:notable_production_assistant |
None.
|
| gptkbp:notable_production_manager |
None.
|
| gptkbp:notable_quote |
" You can't trust anyone."
" You can't trust anyone in Berlin." |
| gptkbp:notable_scene |
the chase scene
the funeral scene the interrogation scene |
| gptkbp:notable_script_supervisor |
None.
|
| gptkbp:notable_script_writer |
None.
|
| gptkbp:notable_sound_editor |
None.
|
| gptkbp:notable_stunt_coordinator |
None.
|
| gptkbp:notable_unit_production_manager |
None.
|
| gptkbp:notable_visual_effects_supervisor |
None.
|
| gptkbp:part_of_series |
gptkb:Harry_Palmer_series
|
| gptkbp:plot |
British agent Harry Palmer is sent to Berlin to investigate a murder.
A British agent investigates a murder in Berlin. |
| gptkbp:preceded_by |
gptkb:The_Ipcress_File
|
| gptkbp:precedes |
gptkb:Billion_Dollar_Brain
|
| gptkbp:predecessor |
gptkb:The_Ipcress_File
|
| gptkbp:premiere |
gptkb:London
|
| gptkbp:premiered_on |
gptkb:London
|
| gptkbp:produced_by |
gptkb:Harry_Saltzman
|
| gptkbp:production_company |
gptkb:Columbia_Pictures
gptkb:MGM |
| gptkbp:published |
gptkb:1964
|
| gptkbp:publisher |
gptkb:Jonathan_Cape
|
| gptkbp:release_date |
December 1966
|
| gptkbp:release_year |
gptkb:1966
|
| gptkbp:released |
gptkb:1966
|
| gptkbp:released_in |
gptkb:1966
|
| gptkbp:remake |
gptkb:None
gptkb:none |
| gptkbp:runtime |
102 minutes
|
| gptkbp:screenplay |
gptkb:Len_Deighton
gptkb:Harry_Alan_Towers |
| gptkbp:screenplay_by |
gptkb:Harry_Saltzman
gptkb:Len_Deighton |
| gptkbp:series |
Bernard Samson
|
| gptkbp:set_in |
gptkb:Berlin
gptkb:Cold_War |
| gptkbp:setting |
gptkb:Cold_War_Berlin
|
| gptkbp:sound |
gptkb:Mono
|
| gptkbp:sound_design |
None.
|
| gptkbp:soundtrack |
gptkb:John_Barry's_score
|
| gptkbp:starring |
gptkb:Oskar_Werner
gptkb:Eva_Renzi gptkb:Michael_Caine |
| gptkbp:successor |
gptkb:Billion_Dollar_Brain
|
| gptkbp:themes |
gptkb:betrayal
gptkb:loyalty espionage |
| gptkbp:visual_effects |
None.
|
| gptkbp:writer |
gptkb:Harry_Alan_Towers
|
| gptkbp:bfsParent |
gptkb:Harry_Palmer
gptkb:The_Ipcress_File |
| gptkbp:bfsLayer |
5
|