gptkbp:instance_of
|
gptkb:musical_composition
|
gptkbp:analysis
|
thematic development
|
gptkbp:arrangements
|
orchestral version
|
gptkbp:artistic_legacy
|
enduring popularity
|
gptkbp:audience
|
classical music enthusiasts
|
gptkbp:characteristics
|
complex structure
|
gptkbp:composer
|
gptkb:Johann_Sebastian_Bach
|
gptkbp:cultural_impact
|
gptkb:High_School
|
gptkbp:cultural_significance
|
Western classical music
|
gptkbp:dedicated_to
|
gptkb:Wilhelm_Friedemann_Bach
|
gptkbp:difficulty
|
advanced
|
gptkbp:duration
|
approximately 3-5 minutes
|
gptkbp:first_published
|
1800
|
gptkbp:form
|
polyphonic
|
gptkbp:genre
|
fugue
Baroque fugue
|
gptkbp:historical_context
|
varied among pianists
tempo variations
German Baroque period
|
https://www.w3.org/2000/01/rdf-schema#label
|
Fugue in F major
|
gptkbp:influence
|
Baroque music
|
gptkbp:influenced
|
later composers
|
gptkbp:inspiration
|
Italian concertos
|
gptkbp:instrument
|
gptkb:musician
|
gptkbp:is_a_venue_for
|
gptkb:concert_tour
|
gptkbp:is_studied_in
|
music theory
|
gptkbp:key
|
F major
|
gptkbp:motif
|
ascending and descending lines
|
gptkbp:music_style
|
imitation
formal structure
exposition, development, recapitulation
score available
|
gptkbp:notable_feature
|
gptkb:art_exhibition
counterpoint techniques
|
gptkbp:notable_performance
|
gptkb:Glenn_Gould
|
gptkbp:notable_recordings
|
gptkb:András_Schiff
|
gptkbp:notable_work
|
gptkb:Scholarly_articles
|
gptkbp:number
|
gptkb:BWV_856
|
gptkbp:part_of
|
gptkb:The_Well-Tempered_Clavier
|
gptkbp:performance
|
historically informed performance
Baroque instruments
fingering choices
|
gptkbp:record_label
|
gptkb:Deutsche_Grammophon
|
gptkbp:related_works
|
gptkb:Prelude_in_F_major
|
gptkbp:signature_move
|
4/4
|
gptkbp:style
|
counterpoint
|
gptkbp:thematic_element
|
subject, countersubject
|
gptkbp:theme
|
subject and answer
|
gptkbp:transcribed_for
|
for organ
|
gptkbp:written_in
|
1722
|
gptkbp:bfsParent
|
gptkb:The_Well-Tempered_Clavier,_Book_1
|
gptkbp:bfsLayer
|
7
|