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gptkbp:instance_of
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gptkb:graphic_novel
gptkb:film
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gptkbp:bfsLayer
|
3
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gptkbp:bfsParent
|
gptkb:Alan_Moore
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gptkbp:adaptation
|
gptkb:From_Hell_(2001_film)
gptkb:From_Hell_(2004_television_series)
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:television_series
gptkb:film
|
|
gptkbp:art_style
|
dark
detailed
|
|
gptkbp:author
|
gptkb:Alan_Moore
|
|
gptkbp:awards
|
gptkb:award
|
|
gptkbp:based_on
|
gptkb:Eddie_Campbell
gptkb:graphic_novel
From Hell (graphic novel)
From Hell by Alan Moore
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|
gptkbp:box_office
|
$74 million
$31.5 million
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gptkbp:budget
|
$35 million
|
|
gptkbp:character
|
gptkb:Mary_Kelly
gptkb:Elizabeth_Stride
gptkb:Sir_William_Gull
gptkb:Emma_Smith
gptkb:Queen_Victoria
gptkb:Mary_Ann_Nichols
gptkb:Catherine_Eddowes
gptkb:Dr._John_Williams
gptkb:Charles_Warren
gptkb:Mary_Jane_Kelly
gptkb:Annie_Chapman
gptkb:Dr._Thomas_Neill_Cream
gptkb:Dr._William_Gull
gptkb:Frederick_Abberline
gptkb:George_Lusk
gptkb:Inspector_Abberline
gptkb:John_Pizer
gptkb:Joseph_Barnett
gptkb:Martha_Tabram
gptkb:Polly_Nichols
|
|
gptkbp:character_development
|
gptkb:launch_complex
psychological
|
|
gptkbp:cinematography
|
gptkb:Peter_Deming
|
|
gptkbp:contains
|
gptkb:mythological_figure
gptkb:film
gptkb:legal_case
|
|
gptkbp:critical_reception
|
acclaimed
mixed reviews
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:directed_by
|
gptkb:Albert_Hughes
gptkb:Allen_Hughes
gptkb:The_Hughes_Brothers
|
|
gptkbp:director
|
gptkb:Albert_Hughes
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
|
|
gptkbp:edited_by
|
gptkb:Michael_Tronick
gptkb:Mark_Stevens
|
|
gptkbp:explores
|
gptkb:physicist
social commentary
psychological horror
|
|
gptkbp:features_character
|
gptkb:Mary_Kelly
gptkb:Queen_Victoria
gptkb:Sir_Charles_Warren
gptkb:Frederick_Abberline
gptkb:George_Lusk
|
|
gptkbp:filming_location
|
gptkb:Borough
|
|
gptkbp:filmography
|
gptkb:Johnny_Depp
gptkb:Heather_Graham
|
|
gptkbp:focuses_on
|
gptkb:Jack_the_Ripper
|
|
gptkbp:format
|
serialized
|
|
gptkbp:genre
|
gptkb:church
gptkb:mythological_figure
gptkb:film
|
|
gptkbp:has_character
|
gptkb:Mary_Kelly
gptkb:Elizabeth_Stride
gptkb:Sir_William_Gull
gptkb:Sir_Robert_Anderson
gptkb:Robert_Anderson
gptkb:Detective
gptkb:Inspector_Lestrade
gptkb:Dr._Thomas_Barnardo
gptkb:Emma_Abberline
gptkb:John_Netley
gptkb:Queen_Victoria
gptkb:Mary_Ann_Nichols
gptkb:Sir_Charles_Warren
gptkb:Catherine_Eddowes
gptkb:Dr._John_Williams
gptkb:Mary_Jane_Kelly
gptkb:Annie_Chapman
gptkb:Dr._Thomas_Neill_Cream
gptkb:Frederick_Abberline
gptkb:George_Lusk
gptkb:Inspector_Abberline
gptkb:Joseph_Barnett
gptkb:Martha_Tabram
gptkb:Polly_Nichols
George Hutchinson
|
|
gptkbp:has_sequel
|
gptkb:From_Hell:_The_Annotated_Edition
gptkb:From_Hell:_The_Complete_Edition
gptkb:From_Hell:_The_Complete_Graphic_Novel
|
|
gptkbp:has_theme
|
gptkb:physicist
gptkb:Detective
gptkb:class
gptkb:Jack_the_Ripper
|
|
gptkbp:historical_figure
|
gptkb:Elizabeth_Stride
gptkb:Walter_Sickert
gptkb:Jack_the_Ripper
gptkb:Mary_Ann_Nichols
gptkb:Catherine_Eddowes
gptkb:Joseph_Merrick
gptkb:Mary_Jane_Kelly
gptkb:Annie_Chapman
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
From Hell
|
|
gptkbp:illustrated_by
|
gptkb:Eddie_Campbell
|
|
gptkbp:illustrator
|
gptkb:Eddie_Campbell
|
|
gptkbp:influenced
|
gptkb:Author
gptkb:film
graphic novels
graphic storytelling
graphic literature
|
|
gptkbp:influenced_by
|
gptkb:The_League_of_Extraordinary_Gentlemen
gptkb:Victorian_literature
gptkb:brand
gptkb:legal_case
gptkb:The_Graphic_Canon
Freudian theory
|
|
gptkbp:inspiration
|
gptkb:Ripper_murders
|
|
gptkbp:is_critical_for
|
extensive
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Jack_the_Ripper
|
|
gptkbp:music_by
|
gptkb:David_Arnold
|
|
gptkbp:narrative_style
|
non-linear
omniscient
|
|
gptkbp:notable_quote
|
“ The world is a stage.”
“ The truth is rarely pure and never simple.”
“ The past is a foreign country.”
“ There is no such thing as a simple murder.”
“ We are all the same.”
|
|
gptkbp:number_of_volumes
|
gptkb:musical
|
|
gptkbp:page_count
|
576
|
|
gptkbp:plot
|
gptkb:Jack_the_Ripper_murders
|
|
gptkbp:premiere
|
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Don_Murphy
gptkb:Jane_Hamsher
gptkb:Rick_Schwartz
|
|
gptkbp:published_by
|
gptkb:1999
gptkb:Top_Shelf_Productions
|
|
gptkbp:published_year
|
gptkb:1999
|
|
gptkbp:publisher
|
gptkb:Knockabout_Comics
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:received
|
mixed reviews
|
|
gptkbp:release_date
|
October 19, 2001
|
|
gptkbp:release_region
|
gptkb:United_States
|
|
gptkbp:release_year
|
gptkb:2001
|
|
gptkbp:released
|
gptkb:2001
October 19, 2001
|
|
gptkbp:runtime
|
122 minutes
|
|
gptkbp:scholarships
|
academic studies
|
|
gptkbp:screenplay_by
|
gptkb:Eddie_Campbell
gptkb:Alan_Moore
gptkb:Rafael_Yglesias
gptkb:Terry_Hayes
|
|
gptkbp:set_in
|
gptkb:Borough
gptkb:Victorian_London
|
|
gptkbp:setting
|
gptkb:Victorian_London
|
|
gptkbp:starring
|
gptkb:Johnny_Depp
gptkb:Heather_Graham
gptkb:Ian_Richardson
gptkb:Ian_Holm
gptkb:Robbie_Coltrane
|
|
gptkbp:symbolism
|
the moon
the city
the fog
the knife
|
|
gptkbp:themes
|
gptkb:legal_case
class struggle
madness
gender roles
|
|
gptkbp:written_by
|
gptkb:Alan_Moore
|