Statements (53)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:frescoes
|
| gptkbp:color_palette |
Vibrant colors
|
| gptkbp:commissioned |
gptkb:Doge_of_Venice
|
| gptkbp:composed_by |
Dynamic and theatrical
|
| gptkbp:created_by |
gptkb:Paolo_Veronese
|
| gptkbp:cultural_significance |
Symbol of Venetian art
|
| gptkbp:exhibition |
gptkb:Venice_Biennale
|
| https://www.w3.org/2000/01/rdf-schema#label |
Frescoes by Paolo Veronese
|
| gptkbp:influence |
gptkb:Baroque_art
|
| gptkbp:influenced_by |
gptkb:Michelangelo
gptkb:Titian |
| gptkbp:inspiration |
Classical mythology
|
| gptkbp:location |
gptkb:Venice
|
| gptkbp:notable_feature |
gptkb:Symbolism
gptkb:historical_figures Architectural elements Dramatic lighting Historical context Emotional expression Cultural references Complex narratives Mythological figures Religious iconography Cultural commentary Use of light and shadow Large scale Influence on later artists Artistic legacy Cultural fusion Public reception Cinematic quality Narrative complexity Use of perspective Symbolic use of color Integration with architecture Use of drapery Art historical significance Figures in motion Interaction of figures Color contrasts Rich detail Emphasis on grandeur |
| gptkbp:notable_work |
gptkb:The_Feast_in_the_House_of_Levi
gptkb:The_Wedding_at_Cana The Allegory of Love |
| gptkbp:period |
16th century
|
| gptkbp:preserved_by |
gptkb:Churches
|
| gptkbp:style |
gptkb:Renaissance
|
| gptkbp:subject_matter |
Religious themes
|
| gptkbp:technique |
Oil on canvas
Fresco painting |
| gptkbp:bfsParent |
gptkb:Villa_Barbaro
|
| gptkbp:bfsLayer |
5
|