|
gptkbp:instance_of
|
gptkb:artwork
|
|
gptkbp:bfsLayer
|
6
|
|
gptkbp:bfsParent
|
gptkb:Cimitero_di_Campo_Santo
|
|
gptkbp:art_style
|
gptkb:organization
|
|
gptkbp:associated_with
|
Christian themes
Theological concepts
Apocalyptic imagery
|
|
gptkbp:commissioned
|
gptkb:Pope_Sixtus_IV
|
|
gptkbp:completed
|
1504
|
|
gptkbp:conservation_efforts
|
gptkb:Orvieto_Cathedral
|
|
gptkbp:created
|
gptkb:Italy
|
|
gptkbp:created_by
|
gptkb:Luca_Signorelli
|
|
gptkbp:depicts
|
gptkb:The_Fall_of_the_Damned
gptkb:The_Damned
gptkb:The_Elect
gptkb:Angels_and_Demons
gptkb:The_Resurrection_of_the_Dead
The Last Judgment scene
The Resurrection of the Flesh
The Final Judgment
The Elect being welcomed to Heaven
|
|
gptkbp:exhibited_at
|
gptkb:Museo_dell'_Opera_del_Duomo
|
|
gptkbp:features
|
Complex compositions
Vivid colors
Symbolic elements
Architectural details
Dynamic figures
Rich iconography
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Frescoes by Luca Signorelli
|
|
gptkbp:influence
|
gptkb:Michelangelo
|
|
gptkbp:influenced
|
gptkb:painting
Renaissance fresco techniques
|
|
gptkbp:influenced_by
|
gptkb:Piero_della_Francesca
|
|
gptkbp:inspired
|
Later Renaissance artists
|
|
gptkbp:is_analyzed_in
|
Art critiques
|
|
gptkbp:is_celebrated_in
|
Art exhibitions
|
|
gptkbp:is_recognized_by
|
Art historians
|
|
gptkbp:is_studied_in
|
Art students
|
|
gptkbp:is_valued_for
|
Cultural significance
Historical importance
Artistic merit
|
|
gptkbp:location
|
gptkb:Orvieto_Cathedral
|
|
gptkbp:notable_for
|
Realistic anatomy
Narrative clarity
Dramatic expressions
|
|
gptkbp:notable_work
|
gptkb:The_Last_Judgment
|
|
gptkbp:part_of
|
gptkb:Italian_Renaissance_art
gptkb:The_Chapel_of_San_Brizio
|
|
gptkbp:style
|
gptkb:Mannerism
|
|
gptkbp:technique
|
Fresco painting
|
|
gptkbp:theme
|
gptkb:church
|