gptkbp:instanceOf
|
film
|
gptkbp:allows
|
banned in several countries
|
gptkbp:artwork
|
character-driven storytelling
unconventional narrative structure
use of real circus performers
shock_value
|
gptkbp:boxOffice
|
$160,000
|
gptkbp:budget
|
$200,000
|
gptkbp:cinematographyBy
|
gptkb:Gregg_Toland
|
gptkbp:country
|
gptkb:United_States
|
gptkbp:criticalReception
|
preserved_in_the_National_Film_Registry
|
gptkbp:culturalImpact
|
cult film status
|
gptkbp:director
|
gptkb:Tod_Browning
|
gptkbp:filmFestival
|
screened at various festivals
|
gptkbp:filmingLocation
|
gptkb:Margaret_Booth
|
gptkbp:genre
|
drama
horror
|
gptkbp:hasProductLine
|
controversial
mixed reviews
|
gptkbp:homeMediaRelease
|
Blu-ray
DVD
|
https://www.w3.org/2000/01/rdf-schema#label
|
Freaks (1932)
|
gptkbp:influenced
|
gptkb:American_Horror_Story
The Elephant Man
|
gptkbp:influences
|
horror genre
filmmakers
|
gptkbp:inspiration
|
real-life circus performers
|
gptkbp:language
|
English
|
gptkbp:legacy
|
inspired various artworks
influenced later horror films
subject of academic studies
discussions on disability representation
inspired documentaries about circus life
|
gptkbp:notableFeature
|
depicts circus performers
|
gptkbp:notableQuote
|
One of us, one of us.
|
gptkbp:produces
|
gptkb:MGM
|
gptkbp:releaseDate
|
1932
|
gptkbp:releaseFormat
|
black-and-white
|
gptkbp:remake
|
gptkb:Freaks_(2020)
|
gptkbp:runtime
|
64 minutes
|
gptkbp:screenplayBy
|
gptkb:Tod_Browning
|
gptkbp:soundtrack
|
gptkb:C._J._Vanston
|
gptkbp:starring
|
gptkb:Johnny_Eck
gptkb:Daisy_Earles
gptkb:Wallace_Ford
gptkb:Schlitzie
gptkb:Leila_Hyams
|
gptkbp:theme
|
love
acceptance
betrayal
revenge
society's treatment of outsiders
|