gptkbp:instanceOf
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musical composition
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gptkbp:album
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Welcome to the Pleasuredome
The Singles Collection 1984–2004
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gptkbp:artist
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gptkb:Frankie_Goes_to_Hollywood
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gptkbp:associatedAct
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gptkb:Mark_O'Toole
gptkb:Holly_Johnson
gptkb:Nash_the_Slash
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gptkbp:chartPerformance
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gptkb:US_Billboard_200
UK_Albums_Chart
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gptkbp:collaborations
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gptkb:Paul_Morley
gptkb:Anne_Dudley
J.J. Jeczalik
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gptkbp:covers
|
Frankie_Goes_to_Hollywood_logo
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gptkbp:critical_reception
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Positive reviews
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gptkbp:cultural_impact
|
LGBTQ+ community
Political activism
1980s music scene
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gptkbp:fanBase
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Cult following
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gptkbp:format
|
CD
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gptkbp:genre
|
Pop
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gptkbp:influenced
|
gptkb:Pet_Shop_Boys
Depeche Mode
Erasure
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gptkbp:influences
|
Synth-pop
Dance music
New Wave
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gptkbp:label
|
gptkb:ZTT_Records
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gptkbp:legacy
|
Cultural references
Iconic singles
Influential band
|
gptkbp:length
|
70:00
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gptkbp:notable_performers
|
gptkb:Glastonbury_Festival
Top of the Pops
Live Aid 1985
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gptkbp:notableFeature
|
Relax
Two Tribes
The_Power_of_Love
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gptkbp:produces
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gptkb:Trevor_Horn
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gptkbp:releaseFormat
|
Yes
Cassette
Vinyl
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gptkbp:releaseYear
|
1993
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gptkbp:remake
|
Yes
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gptkbp:track
|
16
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