Statements (71)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:Artist
|
gptkbp:art_movement |
Conceptual art
|
gptkbp:art_style |
gptkb:historical_event
social issues urban life |
gptkbp:awards |
gptkb:Premio_Nacional_de_Artes
gptkb:Hugo_Boss_Prize Graham Foundation Grant |
gptkbp:birth_date |
1959-03-16
|
gptkbp:birth_place |
gptkb:Belgium
|
gptkbp:collaborates_with |
gptkb:Tania_Bruguera
|
gptkbp:exhibitions |
gptkb:music_festival
gptkb:document |
https://www.w3.org/2000/01/rdf-schema#label |
Francis Alÿs
|
gptkbp:influences |
gptkb:Joseph_Beuys
gptkb:Marcel_Duchamp gptkb:Robert_Smithson |
gptkbp:known_for |
gptkb:soundtrack
|
gptkbp:medium |
gptkb:painting
gptkb:music_video gptkb:art_installation |
gptkbp:nationality |
gptkb:Politician
|
gptkbp:notable_work |
gptkb:The_Invisible_Man
gptkb:The_Man_Who_Wasn't_There gptkb:The_Sound_of_the_Sea gptkb:The_Man_Who_Knew_Too_Much gptkb:The_Loop gptkb:The_Lost_Steps gptkb:The_Art_of_Walking gptkb:The_Green_Line gptkb:The_Silence_of_the_Sea gptkb:The_Walk The Man Who Spoke to the Sea The Man Who Wasn't Me The Last Walk The Man Who Saw the World The Man Who Flew The Nightwatch The Boy Who Never Stopped The Man Who Walked Around the World The Man Who Wasn't Her The Man Who Wasn't Him The Man Who Wasn't How The Man Who Wasn't However The Man Who Wasn't It The Man Who Wasn't That The Man Who Wasn't Them The Man Who Wasn't This The Man Who Wasn't Us The Man Who Wasn't What The Man Who Wasn't Whatever The Man Who Wasn't Whenever The Man Who Wasn't Where The Man Who Wasn't Wherever The Man Who Wasn't Which The Man Who Wasn't Whichever The Man Who Wasn't Who The Man Who Wasn't Whoever The Man Who Wasn't Whom The Man Who Wasn't Whomever The Man Who Wasn't Whose The Man Who Wasn't Whosoever The Man Who Wasn't Why The Man Who Wasn't You The Politics of Rehearsal When Faith Moves Mountains |
gptkbp:operates_in |
gptkb:Mexico_City
|
gptkbp:residence |
gptkb:Mexico
|
gptkbp:website |
http://www.francisalys.com
|
gptkbp:bfsParent |
gptkb:Instituto_Inhotim
|
gptkbp:bfsLayer |
5
|