|
gptkbp:instance_of
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gptkb:art_exhibition
|
|
gptkbp:art_style
|
gptkb:Symbolism
gptkb:Expressionism
|
|
gptkbp:artistic_influence
|
gptkb:European_modernism
|
|
gptkbp:artistic_legacy
|
inspired future generations
|
|
gptkbp:artworks
|
over 200
|
|
gptkbp:associated_with
|
Austrian art movement
|
|
gptkbp:attendance
|
high
|
|
gptkbp:audience
|
widely attended
|
|
gptkbp:collaboration
|
between artists
|
|
gptkbp:collaborator
|
local artists
|
|
gptkbp:criticism
|
positive
|
|
gptkbp:cultural_significance
|
showcased avant-garde art
|
|
gptkbp:curator
|
gptkb:Josef_Hoffmann
|
|
gptkbp:duration
|
several months
|
|
gptkbp:exhibition
|
gptkb:exhibition
gptkb:contemporary_art
innovative
published
|
|
gptkbp:exhibition_duration
|
1910 to 1911
|
|
gptkbp:exhibition_goals
|
promote new art
|
|
gptkbp:exhibition_impact
|
cultural dialogue
|
|
gptkbp:exhibition_space
|
gptkb:Secession_Building
|
|
gptkbp:exhibitions
|
Secession exhibitions
|
|
gptkbp:featured_in
|
gptkb:Portrait_of_Adele_Bloch-Bauer_I
gptkb:The_Embrace
gptkb:The_Kiss
|
|
gptkbp:historical_context
|
early 20th century
|
|
gptkbp:historical_impact
|
shaped future art movements
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Forty-Second Secession Exhibition
|
|
gptkbp:impact
|
influenced future exhibitions
|
|
gptkbp:influenced
|
Austrian artists
|
|
gptkbp:influenced_by
|
gptkb:Post-Impressionism
gptkb:French_Impressionism
|
|
gptkbp:is_organized_by
|
gptkb:Vienna_Secession
|
|
gptkbp:legacy
|
important in art history
|
|
gptkbp:location
|
gptkb:Vienna
|
|
gptkbp:media_coverage
|
extensive
|
|
gptkbp:notable_artists
|
gptkb:Oskar_Kokoschka
gptkb:Egon_Schiele
gptkb:Gustav_Klimt
|
|
gptkbp:predecessor
|
gptkb:Forty-First_Secession_Exhibition
|
|
gptkbp:successor
|
gptkb:Forty-Third_Secession_Exhibition
|
|
gptkbp:theme
|
gptkb:modernism
|
|
gptkbp:themes
|
gptkb:attraction
gptkb:identity
gptkb:society
nature
human experience
|
|
gptkbp:year
|
1910
|
|
gptkbp:bfsParent
|
gptkb:Wiener_Secession
|
|
gptkbp:bfsLayer
|
6
|