|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:radio_station
gptkb:graphic_novel
gptkb:film
gptkb:stage_play
|
|
gptkbp:adaptation_stars
|
gptkb:Gary_Cooper
gptkb:Ingrid_Bergman
|
|
gptkbp:adaptation_year
|
1943
|
|
gptkbp:adaptations
|
gptkb:film
gptkb:stage_play
|
|
gptkbp:author
|
gptkb:Ernest_Hemingway
|
|
gptkbp:awards
|
gptkb:None
gptkb:none
gptkb:1
|
|
gptkbp:based_on
|
novel by Ernest Hemingway
|
|
gptkbp:box_office
|
$3 million
|
|
gptkbp:cast
|
gptkb:Sam_Wood
|
|
gptkbp:censorship
|
Some scenes cut for violence
|
|
gptkbp:character
|
gptkb:General_Golz
gptkb:beer
gptkb:Anselmo
gptkb:Maria
gptkb:Pablo
gptkb:Robert_Jordan
gptkb:Pilar
gptkb:Fernando
Sordo
the fascists
|
|
gptkbp:character_development
|
Robert Jordan's internal conflict
|
|
gptkbp:character_relationships
|
Robert Jordan and Anselmo
Robert Jordan and Maria
Robert Jordan and Pablo
Robert Jordan and the guerrilla group
|
|
gptkbp:cinematography
|
gptkb:Charles_Lang
|
|
gptkbp:conflict
|
guerilla warfare
Republicans vs Nationalists
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_analysis
|
explores human condition
explores existentialism
explores morality
explores love and loss
explores heroism
|
|
gptkbp:critical_reception
|
Generally positive reviews
acclaimed
widely acclaimed
|
|
gptkbp:cultural_impact
|
gptkb:significant
inspired literature
inspired various artworks
influenced literature
influenced film
influenced music
inspired artworks
inspired songs
studied in literature courses
influenced anti-war movements
Considered a classic war film
|
|
gptkbp:director
|
gptkb:Sam_Wood
|
|
gptkbp:editing
|
William Hornbeck
|
|
gptkbp:film
|
gptkb:Gary_Cooper
gptkb:Ingrid_Bergman
|
|
gptkbp:film_awards
|
Academy Award nominations
|
|
gptkbp:film_editing
|
gptkb:For_Whom_the_Bell_Tolls_(1943_film)
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
gptkb:Venice_Film_Festival
|
|
gptkbp:film_score
|
Orchestral score
|
|
gptkbp:filming_location
|
gptkb:Spain
|
|
gptkbp:first_edition
|
hardcover
|
|
gptkbp:followed_by
|
gptkb:Across_the_River_and_Into_the_Trees
|
|
gptkbp:genre
|
gptkb:drama
gptkb:historical_fiction
gptkb:war
war novel
|
|
gptkbp:hemingway's_awards
|
Pulitzer Prize (nominated)
|
|
gptkbp:hemingway's_character_arcs
|
redemption
|
|
gptkbp:hemingway's_character_focus
|
complex characters
|
|
gptkbp:hemingway's_character_motivations
|
ideological beliefs
|
|
gptkbp:hemingway's_experiences
|
gptkb:Spanish_Civil_War
|
|
gptkbp:hemingway's_influence
|
post-war literature
|
|
gptkbp:hemingway's_legacy
|
classic American literature
|
|
gptkbp:hemingway's_literary_style
|
realism
|
|
gptkbp:hemingway's_narrative_focus
|
individual vs society
|
|
gptkbp:hemingway's_narrative_structure
|
non-linear
|
|
gptkbp:hemingway's_narrative_technique
|
stream of consciousness
|
|
gptkbp:hemingway's_perspective
|
anti-fascist
|
|
gptkbp:hemingway's_technique
|
iceberg theory
|
|
gptkbp:hemingway's_writing_period
|
1930s
|
|
gptkbp:hemingway's_writing_style
|
minimalist
|
|
gptkbp:historical_context
|
gptkb:Roman_Republic
gptkb:Spanish_Civil_War
gptkb:World_War_II
gptkb:Francoist_Spain
gptkb:international_brigades
reflects the political climate of the time
1930s Spain
fascism vs communism
|
|
gptkbp:home_media_release
|
DVD release in 2001
Blu-ray release in 2010
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
For Whom the Bell Tolls
|
|
gptkbp:influence
|
anti-war movements
post-war literature
Hemingway's later works
|
|
gptkbp:influenced
|
gptkb:film_adaptations
gptkb:literature
Later war films
Hemingway's later works
|
|
gptkbp:influenced_by
|
gptkb:Spanish_Civil_War
Hemingway's experiences in Spain
|
|
gptkbp:influences
|
gptkb:Spanish_Civil_War
gptkb:Spanish_literature
American literature
|
|
gptkbp:inspiration
|
Hemingway's experiences in Spain
John Donne's poem
John Donne's meditation
|
|
gptkbp:inspired_by
|
Hemingway's experiences in Spain
Spanish Civil War events
|
|
gptkbp:isbn
|
978-0684803357
978-0-684-80122-0
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
Influenced literature and film about war.
|
|
gptkbp:literary_devices
|
symbolism
flashbacks
imagery
foreshadowing
|
|
gptkbp:literary_significance
|
considered a classic
|
|
gptkbp:main_actor
|
gptkb:Gary_Cooper
gptkb:Ingrid_Bergman
|
|
gptkbp:main_character
|
gptkb:Robert_Jordan
|
|
gptkbp:music_composer
|
gptkb:Victor_Young
|
|
gptkbp:narrative_style
|
third-person
third-person limited
|
|
gptkbp:narrative_theme
|
gptkb:betrayal
gptkb:heroism
gptkb:loyalty
gptkb:moral_ambiguity
minimalist
realism
the passage of time
courage
stream of consciousness
symbolism
emotional depth
imagery
minimalism
the struggle for survival
the human condition
the struggle for identity
symbolic imagery
complex characters
themes of existentialism
modernist literature
existential themes
the concept of honor
the inevitability of death
the role of fate
themes of love and loss
human connection
dialogue-driven
the search for meaning
themes of fate and free will
the fragility of life
the complexity of love
minimalist prose
use of dialogue
the nature of duty
vivid descriptions
the nature of war
philosophical undertones
the consequences of violence
themes of war
sacrifice in war
the impact of ideology
the impact of war on individuals
the importance of choice
iceberg theory
themes of courage and honor
themes of human connection
the idea of duty
love in wartime
war's impact on individuals
|
|
gptkbp:notable_quote
|
For whom the bell tolls, it tolls for thee.
" For whom the bell tolls, it tolls for thee."
" The world is a fine place and worth fighting for."
‘ The world is a fine place and worth fighting for.’
‘ Never think that war, no matter how necessary, nor how justified, is not a crime.’
“ The world is a fine place and worth fighting for.”
|
|
gptkbp:page_count
|
480
|
|
gptkbp:performance
|
Somewhat accurate to the events of the Spanish Civil War
|
|
gptkbp:plot_summary
|
An American dynamiter fights for the Republicans in the Spanish Civil War.
|
|
gptkbp:predecessor
|
gptkb:To_Have_and_Have_Not
|
|
gptkbp:production_company
|
gptkb:Paramount_Pictures
|
|
gptkbp:protagonist
|
gptkb:Robert_Jordan
dynamiter
|
|
gptkbp:published
|
gptkb:1940
|
|
gptkbp:published_in
|
gptkb:The_New_York_Times
|
|
gptkbp:publisher
|
gptkb:Charles_Scribner's_Sons
|
|
gptkbp:release_date
|
December 15, 1950
|
|
gptkbp:release_year
|
1950
|
|
gptkbp:remake
|
gptkb:None
|
|
gptkbp:runtime
|
170 minutes
|
|
gptkbp:screenplay
|
Samuel Taylor
|
|
gptkbp:setting
|
gptkb:Spanish_Civil_War
mountains of Spain
|
|
gptkbp:starring
|
gptkb:Akim_Tamiroff
gptkb:Gary_Cooper
gptkb:Ingrid_Bergman
|
|
gptkbp:start_location
|
Guerrilla camp in Spain
|
|
gptkbp:symbolism
|
dynamite
the bridge
the bell
|
|
gptkbp:theme
|
gptkb:loyalty
gptkb:death
gptkb:sacrifice
love
|
|
gptkbp:themes
|
gptkb:honor
gptkb:death
gptkb:sacrifice
love
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:won_award
|
gptkb:9
|
|
gptkbp:bfsParent
|
gptkb:The_Spanish_Civil_War
gptkb:S&_M_(Live)
gptkb:Fade_to_Black
gptkb:S&_M
gptkb:Spanish_Civil_War
gptkb:Ernest_Hemingway
gptkb:Gary_Cooper
gptkb:Robert_Jordan
|
|
gptkbp:bfsLayer
|
4
|