gptkbp:instance_of
|
gptkb:play
gptkb:film
|
gptkbp:bfsLayer
|
4
|
gptkbp:bfsParent
|
gptkb:Terence_Rattigan
|
gptkbp:adapted_into
|
gptkb:film
the stage
the play Flare Path
|
gptkbp:awards
|
gptkb:none
|
gptkbp:based_on
|
play by Terence Rattigan
|
gptkbp:box_office
|
gptkb:unknown
|
gptkbp:character_arc
|
gptkb:acceptance
growth
redemption
forgiveness
|
gptkbp:character_development
|
complex characters
|
gptkbp:character_relationships
|
personal vs professional
love vs duty
fear vs bravery
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gptkbp:cinematography
|
gptkb:Cecil_Beaton
|
gptkbp:contains
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elements of romance
|
gptkbp:country
|
gptkb:United_Kingdom
|
gptkbp:critical_reception
|
mixed reviews
|
gptkbp:cultural_impact
|
in British film history
influenced later war dramas
|
gptkbp:cultural_significance
|
explores human emotions
reflects wartime experiences
|
gptkbp:depicts
|
bomber missions
|
gptkbp:design
|
gptkb:Cecil_Beaton
|
gptkbp:died_in
|
gptkb:musical
gptkb:West_End
gptkb:2011
gptkb:2012
gptkb:2015
|
gptkbp:directed_by
|
gptkb:Anthony_Asquith
|
gptkbp:edited_by
|
gptkb:Ralph_Kemplen
|
gptkbp:features
|
themes of love and duty
|
gptkbp:filming_location
|
gptkb:Pinewood_Studios
|
gptkbp:filmography
|
gptkb:battle
1950
|
gptkbp:first_performance
|
gptkb:Lyric_Theatre,_London
|
gptkbp:focus
|
gptkb:survival
relationships
aircrew life
|
gptkbp:follows
|
the lives of RAF bomber crew
|
gptkbp:genre
|
gptkb:High_School
gptkb:war
|
gptkbp:has_awards
|
none known
|
gptkbp:has_cameo
|
notable actors of the time
|
gptkbp:has_sequel
|
gptkb:none
|
gptkbp:has_song
|
gptkb:William_Alwyn
|
gptkbp:historical_context
|
1940s Britain
|
https://www.w3.org/2000/01/rdf-schema#label
|
Flare Path
|
gptkbp:influenced
|
subsequent playwrights
later war films
|
gptkbp:influenced_by
|
gptkb:the_Blitz
personal experiences of the author
Rattigan's experiences in the RAF
Rattigan's own life
|
gptkbp:inspired_by
|
real-life events
|
gptkbp:is_available_on
|
gptkb:streaming_platforms
gptkb:DJ
gptkb:film
|
gptkbp:is_cited_in
|
film studies discussions
|
gptkbp:is_considered_as
|
a classic war film
a reflection of wartime sentiment
a significant film of its era
|
gptkbp:is_discussed_in
|
film critique literature
|
gptkbp:is_influenced_by
|
the experiences of RAF pilots
|
gptkbp:is_motivated_by
|
desire for connection
fear of loss
search for meaning
sense of duty
|
gptkbp:is_part_of
|
British cinema history
the British war film canon
the Terence Rattigan legacy
the war film genre
|
gptkbp:is_recognized_by
|
gptkb:British_Film_Institute
|
gptkbp:is_recognized_for
|
its artistic merit
|
gptkbp:is_referenced_in
|
various documentaries about WWII
|
gptkbp:language
|
English
|
gptkbp:music_by
|
gptkb:William_Alwyn
|
gptkbp:notable_character
|
gptkb:Peter_Kyle
gptkb:battle
Mrs. Hazel
Flight Lieutenant John W.
Mrs. Hazel Kyle
|
gptkbp:notable_for
|
its historical context
its ensemble cast
its dialogue and character development
its production values
its realistic portrayal of wartime life
|
gptkbp:notable_production
|
gptkb:theatre
gptkb:West_End
National Theatre production
Royal Exchange Theatre production
|
gptkbp:official_language
|
English
|
gptkbp:performed_by
|
gptkb:Royal_Air_Force_Theatre
multiple countries
|
gptkbp:portrayed_by
|
the psychological impact of war
|
gptkbp:premiered_on
|
gptkb:1942
|
gptkbp:produced_by
|
gptkb:J._Arthur_Rank
|
gptkbp:published_by
|
Heinemann
|
gptkbp:received
|
mixed reviews
|
gptkbp:release_year
|
1950
|
gptkbp:released
|
gptkb:Rank_Organisation
April 1942
|
gptkbp:released_in
|
gptkb:1942
|
gptkbp:runtime
|
100 minutes
|
gptkbp:set_in
|
gptkb:World_War_II
a bomber base
|
gptkbp:starring
|
gptkb:Michael_Redgrave
gptkb:Rosamund_John
gptkb:Jack_Hawkins
gptkb:John_Mills
gptkb:Bernard_Miles
|
gptkbp:stations
|
gptkb:battle
|
gptkbp:thematic_element
|
gptkb:betrayal
gptkb:loss
gptkb:loyalty
gptkb:Saint
gptkb:war
love
hope
courage
|
gptkbp:themes
|
gptkb:loss
gptkb:war
love
courage
|
gptkbp:translated_into
|
several languages
|
gptkbp:written_by
|
gptkb:Terence_Rattigan
|