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gptkbp:instance_of
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gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
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gptkb:stage_adaptation
gptkb:theater
gptkb:film
|
|
gptkbp:audience
|
critically acclaimed
|
|
gptkbp:author
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gptkb:Shohei_Ooka
|
|
gptkbp:based_on
|
novel by Shohei Ooka
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|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:character
|
Tamura's transformation
|
|
gptkbp:character_arc
|
loss of innocence
Tamura's moral dilemmas
|
|
gptkbp:character_development
|
psychological depth
Private Tamura's struggle
|
|
gptkbp:character_relationships
|
Tamura and civilians
Tamura and fellow soldiers
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|
gptkbp:cinematography
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gptkb:Yoshio_Miyajima
|
|
gptkbp:climax
|
survival struggle
|
|
gptkbp:conflict
|
internal conflict
survival vs. morality
|
|
gptkbp:country
|
gptkb:Japan
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gptkbp:critical_reception
|
acclaimed
positive
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gptkbp:cultural_impact
|
gptkb:Japanese_culture
|
|
gptkbp:cultural_significance
|
Japanese war narratives
|
|
gptkbp:director
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gptkb:Kon_Ichikawa
|
|
gptkbp:distributor
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gptkb:Toho
|
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gptkbp:film_awards
|
gptkb:none
|
|
gptkbp:film_editing
|
Keiichi Uraoka
Fires on the Plain (1959)
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_technique
|
realism
natural lighting
long takes
close-ups
|
|
gptkbp:filming_location
|
gptkb:Japan
|
|
gptkbp:filmography
|
gptkb:moral_ambiguity
psychological themes
survival instinct
|
|
gptkbp:genre
|
gptkb:war
war novel
|
|
gptkbp:historical_context
|
gptkb:World_War_II
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Fires on the Plain
|
|
gptkbp:influences
|
Japanese cinema
anti-war films
|
|
gptkbp:inspiration
|
Shohei Ooka's experiences
|
|
gptkbp:language
|
gptkb:Japanese
|
|
gptkbp:legacy
|
influential war film
|
|
gptkbp:main_character
|
Private Tamura
|
|
gptkbp:mood
|
bleak
|
|
gptkbp:motif
|
isolation
|
|
gptkbp:music
|
gptkb:Yasushi_Akutagawa
|
|
gptkbp:narrative
|
linear narrative
|
|
gptkbp:narrative_style
|
stream of consciousness
|
|
gptkbp:notable_awards
|
gptkb:none
|
|
gptkbp:plot
|
soldier's journey
|
|
gptkbp:production_company
|
gptkb:Toho_Company
|
|
gptkbp:protagonist
|
Tamura
|
|
gptkbp:published
|
1951
|
|
gptkbp:published_in
|
gptkb:1957
|
|
gptkbp:release_date
|
November 14, 1959
|
|
gptkbp:release_year
|
gptkb:1959
|
|
gptkbp:remake
|
gptkb:none
|
|
gptkbp:resolution
|
ambiguous ending
|
|
gptkbp:runtime
|
108 minutes
|
|
gptkbp:screenplay
|
gptkb:Kon_Ichikawa
|
|
gptkbp:setting
|
gptkb:World_War_II
Philippines during World War II
|
|
gptkbp:setting_time
|
1945
|
|
gptkbp:symbolism
|
cannibalism
desperation
loss of humanity
despair
|
|
gptkbp:theme
|
gptkb:survival
|
|
gptkbp:themes
|
gptkb:humanity
gptkb:survival
gptkb:war
|
|
gptkbp:translated_into
|
English
|
|
gptkbp:viewing_format
|
black-and-white
|
|
gptkbp:viewpoint
|
first-person
|
|
gptkbp:bfsParent
|
gptkb:Shinya_Tsukamoto
|
|
gptkbp:bfsLayer
|
5
|