Statements (26)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:book
|
| gptkbp:author |
gptkb:Chris_Cutler
|
| gptkbp:countryOfOrigin |
gptkb:United_Kingdom
|
| gptkbp:format |
gptkb:print
|
| gptkbp:genre |
music criticism
|
| https://www.w3.org/2000/01/rdf-schema#label |
File Under Popular
|
| gptkbp:ISBN |
978-0-907395-02-2
|
| gptkbp:language |
English
|
| gptkbp:mediaType |
gptkb:book
|
| gptkbp:notableEssay |
Necessity and Choice in Musical Forms
On Songwriting Plunderphonia Progressive Rock and After The End of Music The Recording Angel The Rights of Spring The Studio as Compositional Tool What is Popular Music? |
| gptkbp:pages |
256
|
| gptkbp:publicationYear |
1984
|
| gptkbp:publisher |
gptkb:November_Books
|
| gptkbp:subject |
gptkb:music
popular music avant-garde music |
| gptkbp:bfsParent |
gptkb:Chris_Cutler
|
| gptkbp:bfsLayer |
7
|