gptkbp:instanceOf
|
character
|
gptkbp:audience
|
cult classic status
|
gptkbp:boxOffice
|
$20 million
|
gptkbp:characterArc
|
overcoming fear
|
gptkbp:characterDevelopment
|
from ordinary man to hero
|
gptkbp:characterTraits
|
determined
intelligent
protective
courageous
resourceful
loving
resilient
selfless
imperfect
flawed hero
|
gptkbp:child
|
Betty
|
gptkbp:cinematographyBy
|
gptkb:Robert_Burks
|
gptkbp:conflict
|
international conspiracy
|
gptkbp:criticalReception
|
mixed reviews
|
gptkbp:culturalImpact
|
influenced thriller genre
|
gptkbp:design
|
gptkb:Edith_Head
Gordon_Bau
|
gptkbp:directedBy
|
gptkb:Alfred_Hitchcock
|
gptkbp:editedBy
|
George Tomasini
|
gptkbp:filmFestival
|
gptkb:Cannes_Film_Festival
|
gptkbp:finish
|
rescue of his child
|
gptkbp:genre
|
thriller
|
https://www.w3.org/2000/01/rdf-schema#label
|
Father in The Man Who Knew Too Much (1976)
|
gptkbp:influenced
|
subsequent thrillers
|
gptkbp:influences
|
gptkb:The_Man_Who_Knew_Too_Much_(1934)
|
gptkbp:inspiration
|
real-life events
saving his child
|
gptkbp:language
|
English
|
gptkbp:legacy
|
influenced future filmmakers
|
gptkbp:musicBy
|
gptkb:Bernard_Herrmann
|
gptkbp:notableFeature
|
Albert_Hall_climax
|
gptkbp:plot
|
kidnapping of his child
|
gptkbp:portrayedBy
|
gptkb:James_Stewart
|
gptkbp:productionCompany
|
gptkb:Paramount_Pictures
gptkb:Henry_Bumstead
|
gptkbp:relationship
|
strained due to stress
|
gptkbp:releaseYear
|
1976
|
gptkbp:remake
|
gptkb:The_Man_Who_Knew_Too_Much_(1934)
|
gptkbp:resolution
|
exposing the conspiracy
|
gptkbp:role
|
protagonist
|
gptkbp:screenplayBy
|
gptkb:John_Michael_Hayes
|
gptkbp:setting
|
gptkb:London
|
gptkbp:sideEffect
|
gptkb:John_Stears
|
gptkbp:soundtrack
|
released as an album
|
gptkbp:spouse
|
Joan
|
gptkbp:symbolism
|
fatherhood
|
gptkbp:theme
|
parental love
|