|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:television_series
gptkb:radio_station
gptkb:graphic_novel
gptkb:video_game
gptkb:audiobook
gptkb:television
gptkb:film
gptkb:stage_play
film noir
|
|
gptkbp:author
|
gptkb:Raymond_Chandler
|
|
gptkbp:based_on
|
Farewell, My Lovely (novel)
The Long Good-Bye (novel)
|
|
gptkbp:box_office
|
$2.5 million
$1.5 million
|
|
gptkbp:budget
|
gptkb:$5_million
$1.5 million
|
|
gptkbp:character
|
gptkb:Velma_Valento
gptkb:Sidekick
gptkb:Detective
gptkb:Teenager
gptkb:Acquaintance
gptkb:Benny
gptkb:Bobby
gptkb:Lily
gptkb:Terry_Lennox
gptkb:Businessman
gptkb:Duke
gptkb:Judge
gptkb:Police_Department
gptkb:Politician
gptkb:murder
gptkb:Witness
gptkb:antagonist
gptkb:Philip_Marlowe
gptkb:organized_crime
gptkb:Supporting_characters
gptkb:Helen_Grayle
gptkb:Mona_Grant
gptkb:children
gptkb:Teddy
gptkb:Sergeant
gptkb:customers
gptkb:friendship
gptkb:mentorship
gptkb:Captain
gptkb:Victim
gptkb:crime
gptkb:Screwy_Louie
Murder victim
Prostitute
Rival
Father figure
Mother figure
Bar owner
Old man
Young woman
Old woman
Minor characters
Marlowe's friend
Friend of Marlowe
Marlowe's adversary
Marlowe's ally
Marlowe's assistant
Marlowe's confidant
Marlowe's informant
Marlowe's love interest
Marlowe's love interest's family member
Marlowe's love interest's friend
Marlowe's love interest's rival
Marlowe's mentor
Marlowe's rival
Marlowe's client
Marlowe's Client
Mrs. Grayle
Captain of Police
|
|
gptkbp:character_arc
|
Marlowe's moral dilemmas
Marlowe's quest for truth
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:character_relationships
|
Marlowe and the police
Marlowe and Screwy Louie
Marlowe and Velma
Marlowe and the femme fatale
|
|
gptkbp:cinematography
|
gptkb:John_A._Alonzo
gptkb:Gordon_Willis
gptkb:Philip_H._Lathrop
gptkb:Harry_J._Wild
|
|
gptkbp:color
|
gptkb:Color
Black and white
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:cover_artist
|
gptkb:Robert_Mc_Ginnis
|
|
gptkbp:critical_reception
|
Mixed reviews
Positive
positive
mixed reviews
well-received
|
|
gptkbp:cultural_impact
|
iconic status
influenced detective genre
inspired adaptations
influential in film noir
Film noir genre
influenced writers
inspired television adaptations
reference in popular culture
inspired future adaptations
inspired film techniques
|
|
gptkbp:director
|
gptkb:Robert_Mitchum
gptkb:Dick_Richards
gptkb:Edward_Dmytryk
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
gptkb:RKO_Radio_Pictures
|
|
gptkbp:edited_by
|
gptkb:Edward_Dmytryk
Marjorie Fowler
|
|
gptkbp:editing
|
gptkb:John_F._Burnett
gptkb:Robert_L._Sinise
|
|
gptkbp:film_editing
|
gptkb:NBC
gptkb:Dick_Powell
gptkb:Murder,_My_Sweet
gptkb:Farewell,_My_Lovely_(1975_film)
Murder, My Sweet (1944)
Farewell, My Lovely (1975)
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_series
|
gptkb:Philip_Marlowe
Philip Marlowe series
|
|
gptkbp:film_technique
|
gptkb:Chinatown
gptkb:Double_Indemnity
gptkb:L._A._Confidential
gptkb:The_Maltese_Falcon
gptkb:The_Big_Sleep
|
|
gptkbp:followed_by
|
gptkb:The_Long_Goodbye
gptkb:The_Big_Sleep_(1978_film)
gptkb:The_High_Window
|
|
gptkbp:follows
|
gptkb:Murder,_My_Sweet
|
|
gptkbp:genre
|
gptkb:Film_noir
gptkb:mystery
gptkb:drama
gptkb:detective_fiction
gptkb:crime
hardboiled detective fiction
|
|
gptkbp:has_prequel
|
gptkb:Murder,_My_Sweet
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Farewell, My Lovely
|
|
gptkbp:influence
|
gptkb:film_adaptations
gptkb:literature
gptkb:popular_culture
television adaptations
detective novels
crime dramas
neo-noir films
detective films
detective television shows
|
|
gptkbp:influenced
|
hardboiled fiction
film noir
hardboiled detective fiction
Later detective films
|
|
gptkbp:influenced_artists
|
gptkb:Dashiell_Hammett
gptkb:James_M._Cain
|
|
gptkbp:influenced_by
|
gptkb:Film_Noir
hardboiled fiction
film noir
Hardboiled fiction
Raymond Chandler's writing
|
|
gptkbp:inspiration
|
Chandler's experiences
|
|
gptkbp:inspired_by
|
gptkb:Raymond_Chandler
Los Angeles setting
|
|
gptkbp:isbn
|
978-0-394-74012-2
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_significance
|
classic of American literature
|
|
gptkbp:main_character
|
gptkb:Philip_Marlowe
|
|
gptkbp:main_theme
|
love and betrayal
|
|
gptkbp:motif
|
gptkb:deception
violence
the city of Los Angeles
|
|
gptkbp:music_by
|
gptkb:David_Raksin
gptkb:David_Shire
|
|
gptkbp:music_composer
|
gptkb:David_Shire
|
|
gptkbp:narrative
|
gptkb:detective_fiction
first-person
limited omniscient
|
|
gptkbp:narrative_style
|
first-person
noir
detailed descriptions
witty dialogue
hardboiled prose
|
|
gptkbp:notable_aspect
|
cinematography style
noir style
Robert Mitchum's performance
|
|
gptkbp:notable_awards
|
Nominated for Academy Award
Nominated for 1 Academy Award
Nominated for 2 Golden Globe Awards
Nominated for 1 Golden Globe
|
|
gptkbp:notable_quote
|
' I’m not a detective, I’m a private eye.'
" It was a blonde. A blonde to make a bishop kick a hole in a stained-glass window."
|
|
gptkbp:page_count
|
256
|
|
gptkbp:plot
|
gptkb:murder_mystery
non-linear
romantic subplot
twists and turns
detective's journey
Marlowe's investigation
Marlowe's entanglement in crime
involvement with gangsters
search for a missing woman
|
|
gptkbp:precedes
|
gptkb:The_Long_Good-Bye
|
|
gptkbp:predecessor
|
gptkb:The_Big_Sleep
|
|
gptkbp:premiere
|
gptkb:New_York_City
|
|
gptkbp:production_company
|
gptkb:20th_Century_Fox
gptkb:RKO_Pictures
|
|
gptkbp:protagonist
|
gptkb:Detective
gptkb:Philip_Marlowe
|
|
gptkbp:published
|
gptkb:1940
|
|
gptkbp:published_in
|
gptkb:1940
|
|
gptkbp:publisher
|
gptkb:Houghton_Mifflin
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_date
|
April 1944
April 18, 1975
|
|
gptkbp:release_format
|
Theatrical
|
|
gptkbp:release_year
|
gptkb:1944
gptkb:1975
1953
|
|
gptkbp:remake
|
gptkb:1975
gptkb:Murder,_My_Sweet
gptkb:Farewell,_My_Lovely_(1975_film)
|
|
gptkbp:runtime
|
95 minutes
|
|
gptkbp:screenings
|
gptkb:Film_festivals
|
|
gptkbp:screenplay
|
gptkb:David_Zelag_Goodman
|
|
gptkbp:screenplay_by
|
gptkb:David_Zelag_Goodman
gptkb:John_Paxton
|
|
gptkbp:series
|
gptkb:Philip_Marlowe
|
|
gptkbp:setting
|
gptkb:Los_Angeles
1940s America
1940s Los Angeles
|
|
gptkbp:setting_time
|
1940s
|
|
gptkbp:starring
|
gptkb:Robert_Mitchum
gptkb:Claire_Trevor
gptkb:Charlotte_Rampling
gptkb:Dick_Powell
gptkb:John_Ireland
gptkb:Otto_Kruger
gptkb:Jack_O'_Halloran
|
|
gptkbp:style
|
gptkb:pulp_fiction
lyrical prose
realistic
dark humor
noir
gritty
suspenseful
hardboiled style
hardboiled writing
|
|
gptkbp:successor
|
gptkb:The_Lady_in_the_Lake
|
|
gptkbp:symbolism
|
the color blue
the moon
|
|
gptkbp:theme
|
gptkb:betrayal
gptkb:moral_ambiguity
gptkb:corruption
gptkb:identity
loneliness
crime and justice
redemption
violence
disillusionment
|
|
gptkbp:themes
|
gptkb:betrayal
love
redemption
|
|
gptkbp:won_award
|
gptkb:Academy_Award_nomination
Golden Globe nomination
|
|
gptkbp:bfsParent
|
gptkb:Raymond_Chandler
|
|
gptkbp:bfsLayer
|
4
|