Statements (62)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:character |
lyrical and introspective
|
| gptkbp:composer |
gptkb:Johannes_Brahms
|
| gptkbp:consecration_date |
1892
|
| gptkbp:critical_reception |
generally positive
|
| gptkbp:cultural_impact |
influenced later composers
|
| gptkbp:dedication |
to Clara Schumann
|
| gptkbp:duration |
approximately 20 minutes
|
| gptkbp:first_performance |
1893
|
| gptkbp:form |
free form
|
| gptkbp:genre |
gptkb:piano
|
| https://www.w3.org/2000/01/rdf-schema#label |
Fantasie, Op. 116
|
| gptkbp:influenced_by |
gptkb:Beethoven
|
| gptkbp:influences |
gptkb:Romanticism
|
| gptkbp:inspiration |
Clara Schumann's memory
|
| gptkbp:instruments |
gptkb:piano
|
| gptkbp:key |
C major
|
| gptkbp:notable_performers |
gptkb:Martha_Argerich
|
| gptkbp:notable_recordings |
by Daniel Barenboim
by Evgeny Kissin by Lang Lang by Vladimir Ashkenazy by Daniil Trifonov by Alfred Brendel by András Schiff by Jean-Yves Thibaudet by Leif Ove Andsnes by Marc-André Hamelin by Yefim Bronfman by Anna Fedorova by Anna Vinnitskaya by Benjamin Grosvenor by Francesco Piemontesi by Garrick Ohlsson by Hélène Grimaud by Isata Kanneh-Mason by Nikolai Lugansky by Richard Goode by Seong-Jin Cho by Stephen Hough by Boris Berezovsky by Mikhail Pletnev by Yulianna Avdeeva by Maurizio Pollini by Alice Sara Ott by Beatrice Rana by Fazil Say by Igor Levit by Khatia Buniatishvili by Louis Schwizgebel |
| gptkbp:number_of_movements |
gptkb:4
|
| gptkbp:performance |
requires advanced technique
|
| gptkbp:premiere_location |
gptkb:New_York_City
|
| gptkbp:published_by |
Simrock
|
| gptkbp:recordings |
available on various labels
|
| gptkbp:related_works |
gptkb:Intermezzi,_Op._117
|
| gptkbp:signature |
of Brahms' late piano repertoire
|
| gptkbp:structure |
four contrasting sections
|
| gptkbp:style |
late Romantic
|
| gptkbp:year_composed |
1892
|
| gptkbp:bfsParent |
gptkb:Johannes_Brahms
|
| gptkbp:bfsLayer |
5
|