|
gptkbp:instance_of
|
gptkb:Photographer
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Don_De_Lillo
|
|
gptkbp:adaptation
|
gptkb:theatre
|
|
gptkbp:audience
|
gptkb:R
|
|
gptkbp:author
|
gptkb:Don_De_Lillo
|
|
gptkbp:awards
|
National Book Award nomination
Nominated for Best Screenplay
|
|
gptkbp:based_on
|
Novel by Don De Lillo
|
|
gptkbp:box_office
|
gptkb:$5_million
|
|
gptkbp:character
|
gptkb:The_Falling_Man
gptkb:Florence
gptkb:Keith_Neudecker
gptkb:the_Falling_Man
Bill Lawton
Justin Neudecker
Lianne
|
|
gptkbp:character_development
|
Complex characters
|
|
gptkbp:cinematography
|
gptkb:John_Mathieson
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:creator
|
gptkb:Richard_Drew
|
|
gptkbp:critical_reception
|
Mixed reviews
generally positive
|
|
gptkbp:cultural_impact
|
Discussion on trauma
|
|
gptkbp:date
|
gptkb:September_11,_2001
|
|
gptkbp:directed_by
|
gptkb:Richard_Jones
|
|
gptkbp:distributor
|
gptkb:Magnolia_Pictures
|
|
gptkbp:edited_by
|
gptkb:John_E._Smith
|
|
gptkbp:events
|
gptkb:September_11_attacks
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:film_score
|
Orchestral music
|
|
gptkbp:filming_location
|
gptkb:Borough
|
|
gptkbp:filmography
|
Use of flashbacks
|
|
gptkbp:genre
|
gptkb:Author
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Falling Man
|
|
gptkbp:impact
|
controversy over depiction of tragedy
|
|
gptkbp:influenced_by
|
gptkb:September_11_attacks
|
|
gptkbp:influences
|
American literature
postmodern literature
|
|
gptkbp:is_criticized_for
|
gptkb:Peter_Travers
gptkb:Roger_Ebert
gptkb:Joe_Morgenstern
gptkb:Owen_Gleiberman
gptkb:Scott_Foundas
gptkb:Lisa_Schwarzbaum
gptkb:Richard_Roeper
gptkb:James_Berardinelli
gptkb:David_Denby
gptkb:A._O._Scott
|
|
gptkbp:isbn
|
978-0743239567
|
|
gptkbp:language
|
English
|
|
gptkbp:location
|
gptkb:Borough
|
|
gptkbp:main_character
|
gptkb:Keith_Neudecker
Justin Neudecker
Lianne
|
|
gptkbp:medium
|
digital photography
|
|
gptkbp:motif
|
gptkb:location
gptkb:political_movement
gptkb:displacement
gptkb:existentialism
gptkb:survival
gptkb:mythological_figure
gptkb:family
gptkb:media_representation
gptkb:artwork
gptkb:organization
alienation
anxiety
hope
perception
reality
chaos
cultural memory
grief
fear
memory loss
truth
urban life
loss of innocence
hopefulness
identity crisis
despair
recovery
disconnection
|
|
gptkbp:music_by
|
gptkb:John_Murphy
|
|
gptkbp:narrative_style
|
non-linear
Non-linear storytelling
|
|
gptkbp:page_count
|
256
|
|
gptkbp:premiered_on
|
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:David_K._Wilson
|
|
gptkbp:production_company
|
Independent Films
|
|
gptkbp:published_by
|
gptkb:2007
gptkb:The_New_York_Times
|
|
gptkbp:publisher
|
gptkb:Scribner
|
|
gptkbp:related_works
|
gptkb:Libra
gptkb:White_Noise
|
|
gptkbp:release_date
|
September 7, 2007
|
|
gptkbp:released_in
|
gptkb:2007
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenings
|
Special screening at the UN
|
|
gptkbp:screenplay_by
|
gptkb:Richard_Jones
|
|
gptkbp:setting
|
gptkb:Borough
|
|
gptkbp:starring
|
gptkb:Eddie_Redmayne
gptkb:Kathy_Bates
gptkb:Jeff_Daniels
gptkb:Naomi_Watts
|
|
gptkbp:stations
|
mixed
|
|
gptkbp:style
|
minimalist
experimental
photojournalism
|
|
gptkbp:subject
|
man falling from World Trade Center
|
|
gptkbp:symbolism
|
American identity
falling
the Twin Towers
Falling man image
|
|
gptkbp:theme
|
gptkb:Magic:_The_Gathering_set
gptkb:loss
trauma
Post-9/11 America
|
|
gptkbp:themes
|
Survival and loss
|
|
gptkbp:viewing_platform
|
Theatrical release
|