Statements (45)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
novel
|
| gptkbp:adaptation |
stage play
|
| gptkbp:author |
gptkb:Mohsin_Hamid
|
| gptkbp:awards |
shortlisted for the 2017 Booker Prize
|
| gptkbp:character |
Nadia
Saeed Nadia's_family Saeed's_parents |
| gptkbp:community_engagement |
book clubs
literary awards widely discussed academic analysis |
| gptkbp:critical_reception |
positive
|
| gptkbp:culturalHeritage |
Western culture
historical events modern society Middle_Eastern_culture |
| gptkbp:followedBy |
The Last White Man
|
| gptkbp:genre |
fiction
|
| https://www.w3.org/2000/01/rdf-schema#label |
Exit West
|
| gptkbp:influences |
globalization
refugee crisis |
| gptkbp:ISBN |
978-0735212176
|
| gptkbp:language |
English
|
| gptkbp:narrativeStyle |
magical realism
third-person dual perspective |
| gptkbp:pageCount |
256
|
| gptkbp:plot |
explores themes of displacement
depicts the journey of migration examines the impact of war follows two lovers uses magical doors |
| gptkbp:publishedBy |
2017
|
| gptkbp:publisher |
gptkb:Hamish_Hamilton
|
| gptkbp:setting |
various locations
|
| gptkbp:style |
lyrical
|
| gptkbp:symbolism |
light as hope
cities as refuge darkness as despair doors as escape |
| gptkbp:theme |
love
migration identity |
| gptkbp:translatedInto |
multiple languages
|