|
gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:adaptation
|
gptkb:ballet
gptkb:opera
gptkb:film
|
|
gptkbp:author
|
gptkb:Euripides
|
|
gptkbp:character
|
gptkb:Nurse
gptkb:Aegeus
gptkb:Creon
gptkb:choir
gptkb:Jason
|
|
gptkbp:conflict
|
Medea vs Jason
Medea vs Creon
Medea vs herself
|
|
gptkbp:critical_reception
|
controversial
|
|
gptkbp:cultural_impact
|
psychological analysis
influence on literature
influence on opera
feminist readings
influence on film
adaptations in various media
influence on feminist literature
influence on modern drama
influence on ballet
influence on tragedy
|
|
gptkbp:first_performance
|
431 BC
|
|
gptkbp:genre
|
gptkb:tragedy
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Euripides' Medea
|
|
gptkbp:influence
|
Western literature
|
|
gptkbp:language
|
gptkb:Ancient_Greek
|
|
gptkbp:main_character
|
gptkb:Medea
|
|
gptkbp:notable_quote
|
' Of all creatures that can feel and think, the woman is the most miserable.'
' I would rather stand three times in the front line than bear one child.'
|
|
gptkbp:performance_tradition
|
gptkb:ancient_Greece
modern theater
|
|
gptkbp:plot_point
|
Medea's revenge
Medea's children
Medea's escape
Medea's exile
|
|
gptkbp:setting
|
gptkb:Corinth
|
|
gptkbp:symbolism
|
gptkb:Fire
gptkb:children
the golden fleece
|
|
gptkbp:theme
|
gptkb:betrayal
gptkb:revenge
gptkb:feminism
|
|
gptkbp:bfsParent
|
gptkb:Medea
|
|
gptkbp:bfsLayer
|
4
|