gptkbp:instanceOf
|
literary criticism essay
|
gptkbp:advocatesFor
|
variety in drama
|
gptkbp:author
|
gptkb:John_Dryden
|
gptkbp:criticizedFor
|
French drama
unities of time, place, and action
|
gptkbp:debatedBy
|
French vs English drama
ancient vs modern drama
rules of drama
|
gptkbp:defendedIn
|
English drama
|
gptkbp:featuresCharacter
|
gptkb:Crites
gptkb:Eugenius
gptkb:Lisideius
gptkb:Neander
|
gptkbp:firstPublished
|
gptkb:London
|
gptkbp:form
|
gptkb:public_speaker
|
gptkbp:genre
|
literary criticism
|
gptkbp:historicalName
|
gptkb:Great_Plague_of_London
gptkb:Second_Anglo-Dutch_War
|
https://www.w3.org/2000/01/rdf-schema#label
|
Essay of Dramatic Poesy
|
gptkbp:influenced
|
later English criticism
|
gptkbp:influencedBy
|
gptkb:Aristotle's_Poetics
|
gptkbp:language
|
English
|
gptkbp:NeanderRepresents
|
gptkb:John_Dryden
|
gptkbp:notableQuote
|
“Shakespeare was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul.”
|
gptkbp:praisedFor
|
gptkb:Shakespeare
gptkb:Fletcher
Ben Jonson
|
gptkbp:publicationYear
|
1668
|
gptkbp:setting
|
on a barge on the Thames
|
gptkbp:significance
|
major work of English literary criticism
|
gptkbp:structure
|
four-part dialogue
|
gptkbp:subject
|
literary criticism
dramatic poetry
|
gptkbp:bfsParent
|
gptkb:John_Dryden
|
gptkbp:bfsLayer
|
4
|