Statements (56)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
Theatre
|
| gptkbp:aimsTo |
Encourage critical thinking
|
| gptkbp:characterizedBy |
Alienation effect
|
| gptkbp:competesWith |
Traditional theatre
|
| gptkbp:developedBy |
gptkb:Bertolt_Brecht
|
| gptkbp:emphasizes |
Social issues
|
| gptkbp:features |
Non-linear storytelling
|
| https://www.w3.org/2000/01/rdf-schema#label |
Epic theatre
|
| gptkbp:includes |
Songs
Multimedia elements |
| gptkbp:influencedBy |
Marxism
|
| gptkbp:inspiration |
Postmodern theatre
|
| gptkbp:isAssociatedWith |
gptkb:The_Berliner_Ensemble
Theatre of the Oppressed Verfremdungseffekt |
| gptkbp:isAvailableIn |
Film and television
|
| gptkbp:isChallengedBy |
Fragmented narratives
|
| gptkbp:isCharacterizedBy |
Use of historical context
Use of placards |
| gptkbp:isCitedBy |
Critical distance
Critical engagement with society |
| gptkbp:isConnectedTo |
Social realism
Feminist theatre |
| gptkbp:isCriticizedFor |
Innovative staging
Lack of emotional engagement |
| gptkbp:isExaminedBy |
Theatre theory
|
| gptkbp:isExemplifiedBy |
Mother Courage and Her Children
|
| gptkbp:isExploredIn |
Performance art
Brechtian techniques Theatre studies Experimental theatre. Brecht's_writings |
| gptkbp:isInfluencedBy |
Expressionism
Dadaism Theatre history |
| gptkbp:isKnownFor |
Cinematic techniques
|
| gptkbp:isLinkedTo |
Cultural criticism
|
| gptkbp:isNotedFor |
Intertextuality
Breaking the fourth wall |
| gptkbp:isRecognizedFor |
Challenging audience perceptions
|
| gptkbp:isReflectedIn |
Community theatre
Contemporary performances |
| gptkbp:isRelatedTo |
Absurdist theatre
|
| gptkbp:isRepresentedIn |
The Good Person of Szechwan
The Threepenny Opera |
| gptkbp:isStudiedIn |
Performance studies
Drama schools |
| gptkbp:isUsedIn |
Political protests
|
| gptkbp:isUtilizedFor |
Activist_groups
|
| gptkbp:isUtilizedIn |
Social commentary
Educational settings Theatre companies worldwide |
| gptkbp:originatedIn |
gptkb:Germany
|
| gptkbp:promotes |
Political engagement
|
| gptkbp:uses |
Narrative techniques
|
| gptkbp:utilizes |
Direct address to the audience
|