Statements (54)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
Theater genre
|
| gptkbp:aimsTo |
Encourage critical thinking
|
| gptkbp:characterizedBy |
Alienation effect
|
| gptkbp:competesWith |
Traditional theater
|
| gptkbp:developedBy |
gptkb:Bertolt_Brecht
|
| gptkbp:emphasizes |
Social issues
|
| gptkbp:hasInfluenceOn |
Postmodern theater
|
| https://www.w3.org/2000/01/rdf-schema#label |
Epic theater
|
| gptkbp:includes |
Historical events
|
| gptkbp:influencedBy |
Marxism
|
| gptkbp:isActiveIn |
Academic papers
|
| gptkbp:isAssociatedWith |
Theatre of the Absurd
Political theater |
| gptkbp:isAvailableIn |
Various cultures
|
| gptkbp:isCelebratedFor |
Theater awards
|
| gptkbp:isCharacterizedBy |
Non-linear narratives
|
| gptkbp:isCitedBy |
Critical distance
|
| gptkbp:isConsidered |
A form of protest
|
| gptkbp:isCriticizedFor |
Innovative techniques
Lack of emotional engagement |
| gptkbp:isDocumentedIn |
Theatrical critiques
|
| gptkbp:isExaminedBy |
Critics
Cultural studies |
| gptkbp:isExpectedTo |
Theater scholars
|
| gptkbp:isExploredIn |
Literature
Performance art Workshops Documentaries |
| gptkbp:isFiledIn |
Community theater
|
| gptkbp:isInfluencedBy |
Expressionism
Theater education |
| gptkbp:isIntegratedWith |
Modern storytelling.
|
| gptkbp:isKnownFor |
Use of multimedia
|
| gptkbp:isLinkedTo |
Social change
|
| gptkbp:isNotedFor |
Breaking the fourth wall
|
| gptkbp:isPopularIn |
Contemporary theater
|
| gptkbp:isProminentIn |
gptkb:European_theater
|
| gptkbp:isPromotedBy |
Theater festivals
|
| gptkbp:isRecognizedFor |
Innovative staging
|
| gptkbp:isReflectedIn |
Modern performances
|
| gptkbp:isRelatedTo |
Dramatic theory
|
| gptkbp:isRepresentedIn |
Film adaptations
|
| gptkbp:isStudiedIn |
Theater history courses
|
| gptkbp:isUsedIn |
Educational settings
|
| gptkbp:isUtilizedFor |
Performers
Audiences Conventional narratives Activist_groups |
| gptkbp:isUtilizedIn |
Political discourse
Theater companies |
| gptkbp:originatedIn |
gptkb:Germany
|
| gptkbp:uses |
Songs
Narration Direct address to the audience |