|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:art_style
|
vivid colors
surreal imagery
|
|
gptkbp:awards
|
Best Director at the 2009 Cannes Film Festival
|
|
gptkbp:box_office
|
$1.2 million
$1.5 million
|
|
gptkbp:budget
|
$2.5 million
|
|
gptkbp:character_arc
|
Linda's struggles
Oscar's journey
|
|
gptkbp:character_relationships
|
Oscar and Linda
Oscar and his sister
|
|
gptkbp:cinematography
|
gptkb:Benoît_Debie
|
|
gptkbp:country
|
gptkb:Japan
gptkb:Monarch
|
|
gptkbp:critical_reception
|
polarizing
|
|
gptkbp:cultural_impact
|
cult following
influence on filmmakers
analysis in film studies
inspired discussions on consciousness
inspiration for visual artists
discussions on drug use
|
|
gptkbp:directed_by
|
gptkb:Gaspar_Noé
|
|
gptkbp:director
|
gptkb:Gaspar_Noé
|
|
gptkbp:distribution
|
gptkb:Wild_Bunch
|
|
gptkbp:distributor
|
gptkb:IFC_Films
|
|
gptkbp:edited_by
|
gptkb:Gaspar_Noé
|
|
gptkbp:editor
|
gptkb:Gaspar_Noé
|
|
gptkbp:features
|
hallucinatory visuals
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:film_score
|
gptkb:Thomas_Bangalter
|
|
gptkbp:filming_location
|
gptkb:Tokyo
digital video
|
|
gptkbp:filmography
|
point-of-view shots
360-degree shots
|
|
gptkbp:follows
|
a drug dealer
|
|
gptkbp:genre
|
gptkb:Magic:_The_Gathering_set
gptkb:High_School
gptkb:film
psychological thriller
|
|
gptkbp:has_awards
|
Best Director at Cannes
|
|
gptkbp:has_song
|
gptkb:Thom_Yorke
|
|
gptkbp:has_theme
|
gptkb:existentialism
life and death
reincarnation
drug culture
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
Digital download
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Enter the Void
|
|
gptkbp:influenced_by
|
gptkb:Stanley_Kubrick
gptkb:David_Lynch
|
|
gptkbp:influences
|
gptkb:The_Tibetan_Book_of_the_Dead
Psychedelic culture
|
|
gptkbp:is_available_on
|
gptkb:streaming_platforms
gptkb:DJ
gptkb:film
|
|
gptkbp:language
|
gptkb:French
English
|
|
gptkbp:main_character
|
gptkb:Oscar
gptkb:Linda
|
|
gptkbp:music
|
gptkb:Thomas_Bangalter
|
|
gptkbp:narrative_style
|
first-person perspective
|
|
gptkbp:notable_for
|
its visual effects
its visual storytelling
its narrative structure
its unique narrative style
its soundtrack
its editing style
its sound design
its controversial content
its exploration of consciousness
its use of first-person perspective
|
|
gptkbp:premiere
|
gptkb:2009_Cannes_Film_Festival
|
|
gptkbp:premiered_on
|
gptkb:film_festival
|
|
gptkbp:produced_by
|
gptkb:Jean-Yves_Escoffier
gptkb:Philippe_Bober
gptkb:Gaspar_Noé
|
|
gptkbp:production_company
|
gptkb:Wild_Bunch
gptkb:Les_Films_du_Losange
|
|
gptkbp:release_date
|
July 15, 2009
|
|
gptkbp:release_year
|
gptkb:2009
|
|
gptkbp:released
|
gptkb:2009
|
|
gptkbp:runtime
|
161 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Gaspar_Noé
|
|
gptkbp:set_in
|
gptkb:Tokyo
|
|
gptkbp:soundtrack
|
electronic music
|
|
gptkbp:stations
|
critically acclaimed
polarizing reviews
audience divided
|
|
gptkbp:symbolism
|
neon lights
the void
|
|
gptkbp:technique
|
non-linear storytelling
long takes
neon lighting
|
|
gptkbp:theme
|
gptkb:existentialism
life after death
drug use
|
|
gptkbp:bfsParent
|
gptkb:Gaspar_Noé
|
|
gptkbp:bfsLayer
|
4
|