|
gptkbp:instance_of
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gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
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gptkb:stage_adaptation
gptkb:television
gptkb:film
|
|
gptkbp:adaptation_year
|
gptkb:1989
|
|
gptkbp:author
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gptkb:Isaac_Bashevis_Singer
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|
gptkbp:awards
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gptkb:Academy_Award_nomination
gptkb:National_Book_Award
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gptkbp:based_on
|
the novel by Isaac Bashevis Singer
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gptkbp:box_office
|
$2.5 million
|
|
gptkbp:cast
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gptkb:Anjelica_Huston
gptkb:Eli_Wallach
gptkb:Margaret_Colin
gptkb:Ron_Silver
|
|
gptkbp:character
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gptkb:Herman_Broder
gptkb:Yadwiga
gptkb:Miriam
gptkb:Tamara
|
|
gptkbp:character_arc
|
Herman's journey
Miriam's struggles
Tamara's choices
Yadwiga's role
|
|
gptkbp:character_development
|
complex characters
Herman Broder's journey
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|
gptkbp:character_relationships
|
Herman Broder and Masha
Herman Broder and Tamara
Herman Broder and Yadwiga
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|
gptkbp:cinematography
|
gptkb:Michael_Ballhaus
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|
gptkbp:conflict
|
love triangle
|
|
gptkbp:country
|
gptkb:United_States
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|
gptkbp:critical_reception
|
positive
mixed reviews
|
|
gptkbp:cultural_aspect
|
Jewish-American experience
|
|
gptkbp:cultural_impact
|
exploration of immigrant experience
influenced Jewish literature
|
|
gptkbp:cultural_significance
|
immigrant narratives
post-war themes
depiction of Jewish life
romantic complexities
|
|
gptkbp:director
|
gptkb:Paul_Mazursky
|
|
gptkbp:distributor
|
gptkb:Orion_Pictures
|
|
gptkbp:editing
|
gptkb:Sam_O'_Steen
|
|
gptkbp:film
|
English
|
|
gptkbp:film_debut
|
novel by Isaac Bashevis Singer
|
|
gptkbp:film_editing
|
Enemies: A Love Story (1989)
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_score
|
acclaimed
|
|
gptkbp:genre
|
gptkb:drama
gptkb:historical_fiction
romantic drama
|
|
gptkbp:historical_context
|
post-World War II
|
|
gptkbp:influence
|
gptkb:Yiddish
|
|
gptkbp:influences
|
gptkb:Jewish_community
World War II experiences
|
|
gptkbp:inspiration
|
gptkb:historical_events
Jewish folklore
Singer's own experiences
Isaac Bashevis Singer's life
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_significance
|
explores themes of love and loss
|
|
gptkbp:main_character
|
gptkb:Herman_Broder
|
|
gptkbp:music_composer
|
gptkb:Michel_Legrand
|
|
gptkbp:narrative_focus
|
gptkb:Jewish_identity
|
|
gptkbp:narrative_style
|
third-person
non-linear storytelling
|
|
gptkbp:notable_work
|
gptkb:Isaac_Bashevis_Singer
|
|
gptkbp:premiere
|
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Orion_Pictures
|
|
gptkbp:protagonist
|
gptkb:Herman_Broder
|
|
gptkbp:published
|
gptkb:1972
|
|
gptkbp:release_date
|
December 8, 1989
|
|
gptkbp:release_year
|
gptkb:1989
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenings
|
gptkb:New_York_Film_Festival
|
|
gptkbp:screenplay_by
|
gptkb:Paul_Mazursky
|
|
gptkbp:setting
|
gptkb:New_York_City
|
|
gptkbp:starring
|
gptkb:Anjelica_Huston
gptkb:Eli_Wallach
gptkb:Margaret_Colin
gptkb:Ron_Silver
|
|
gptkbp:style
|
magical realism
|
|
gptkbp:symbolism
|
conflict between tradition and modernity
|
|
gptkbp:theme
|
gptkb:conflict
gptkb:identity
love
love and infidelity
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:loss
gptkb:loyalty
gptkb:survival
gptkb:identity
gptkb:memory
redemption
|
|
gptkbp:bfsParent
|
gptkb:Isaac_Bashevis_Singer
|
|
gptkbp:bfsLayer
|
5
|