Statements (30)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:play
|
| gptkbp:author |
gptkb:Samuel_Beckett
|
| gptkbp:countryOfOrigin |
gptkb:France
|
| gptkbp:firstEnglishPerformance |
1957
|
| gptkbp:firstEnglishPerformanceVenue |
Royal Court Theatre
|
| gptkbp:firstPerformed |
gptkb:London
1957 Royal Court Theatre |
| gptkbp:genre |
absurdist theatre
|
| https://www.w3.org/2000/01/rdf-schema#label |
Endgame (Fin de partie)
|
| gptkbp:mainCharacter |
gptkb:Clov
gptkb:Nagg gptkb:Hamm gptkb:Nell |
| gptkbp:notableProduction |
gptkb:Peter_Hall_(English_production)
gptkb:Roger_Blin_(original_French_production) |
| gptkbp:notableQuote |
Nothing is funnier than unhappiness.
Finished, it's finished, nearly finished, it must be nearly finished. |
| gptkbp:originalLanguage |
gptkb:French
|
| gptkbp:relatedWork |
gptkb:Waiting_for_Godot
|
| gptkbp:setting |
bare interior room
|
| gptkbp:structure |
one act
|
| gptkbp:theme |
existentialism
despair endings dependency |
| gptkbp:translatedInto |
gptkb:Samuel_Beckett
English |
| gptkbp:bfsParent |
gptkb:György_Kurtág
|
| gptkbp:bfsLayer |
6
|