|
gptkbp:instance_of
|
gptkb:song
|
|
gptkbp:album
|
gptkb:The_Who_Live_at_Leeds
gptkb:It's_Hard
gptkb:Yes
|
|
gptkbp:artist
|
gptkb:The_Who
|
|
gptkbp:associated_act
|
gptkb:The_Who
|
|
gptkbp:associated_acts
|
gptkb:Pearl_Jam
gptkb:Fleetwood_Mac
gptkb:Coldplay
gptkb:Imagine_Dragons
gptkb:The_Beach_Boys
gptkb:The_Doors
gptkb:The_Eagles
gptkb:The_Faces
gptkb:The_Ramones
gptkb:The_Rolling_Stones
gptkb:The_Sex_Pistols
gptkb:The_Strokes
gptkb:The_Velvet_Underground
gptkb:David_Bowie
gptkb:The_Kinks
gptkb:Led_Zeppelin
gptkb:Nirvana
gptkb:The_Clash
gptkb:Radiohead
gptkb:Arctic_Monkeys
gptkb:The_Beatles
gptkb:The_Byrds
gptkb:The_Killers
gptkb:Pink_Floyd
gptkb:Oasis
gptkb:R._E._M.
gptkb:The_Police
gptkb:The_White_Stripes
gptkb:U2
|
|
gptkbp:b-side
|
gptkb:I_Like_It
|
|
gptkbp:bass_guitar
|
gptkb:John_Entwistle
|
|
gptkbp:chart_position
|
Top 10 in the UK
Top 10 in Canada
|
|
gptkbp:chart_success
|
Top 10 in several countries
|
|
gptkbp:critical_reception
|
Mixed reviews
Generally positive reviews
|
|
gptkbp:cultural_impact
|
Featured in films and TV shows
Significant in 1980s rock
|
|
gptkbp:cultural_references
|
Used in political commentary
|
|
gptkbp:cultural_significance
|
Represents 1980s rock music.
|
|
gptkbp:debut
|
gptkb:1982
|
|
gptkbp:fan_base
|
The Who fans
|
|
gptkbp:featured_in
|
Various films and TV shows
Various compilations
Documentaries about The Who
|
|
gptkbp:first_performance
|
gptkb:1982
|
|
gptkbp:genre
|
gptkb:rock
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Eminence Front
|
|
gptkbp:influence
|
Influenced other rock artists
Influenced various rock artists
|
|
gptkbp:influenced_artists
|
Various rock musicians
|
|
gptkbp:influenced_by
|
Psychedelic rock
Classic rock
1970s rock music
|
|
gptkbp:input_output
|
gptkb:John_Rabbit_Bundrick
|
|
gptkbp:inspiration
|
Personal experiences
Personal experiences of Pete Townshend
|
|
gptkbp:instruments
|
gptkb:Drums
gptkb:bass_guitar
gptkb:guitar
Keyboards
Vocals
Guitar, drums, bass
|
|
gptkbp:is_cited_in
|
Music history discussions
|
|
gptkbp:key
|
E major
|
|
gptkbp:legacy
|
Considered a classic rock song
|
|
gptkbp:length
|
340
5:40
|
|
gptkbp:live_performance
|
Performed in multiple tours
Performed by The Who on multiple tours
Performed in concerts by The Who
|
|
gptkbp:lyrical_themes
|
Social commentary
Disguise and deception
Explores themes of deception
|
|
gptkbp:music
|
gptkb:Billboard_Hot_100
|
|
gptkbp:music_genre
|
Rock music
|
|
gptkbp:music_style
|
Progressive rock
Verse-Chorus form
Verse-chorus form
|
|
gptkbp:music_video
|
gptkb:Yes
|
|
gptkbp:music_video_director
|
gptkb:N/_A
|
|
gptkbp:musical_elements
|
Synthesizers, guitar riffs
|
|
gptkbp:next_album
|
gptkb:You_Better_You_Bet
gptkb:Cry_If_You_Want
|
|
gptkbp:notable_cover
|
Covered by various artists
|
|
gptkbp:notable_song
|
" Eminence front, it's a put-on"
|
|
gptkbp:performance
|
Played in various concerts
|
|
gptkbp:performed_by
|
gptkb:The_Who
|
|
gptkbp:performers
|
gptkb:Kenney_Jones
gptkb:John_Entwistle
gptkb:Pete_Townshend
5 minutes 40 seconds
|
|
gptkbp:piano
|
gptkb:Nicky_Hopkins
|
|
gptkbp:producer
|
gptkb:Glyn_Johns
|
|
gptkbp:record_label
|
gptkb:Polydor_Records
gptkb:Warner_Bros.
gptkb:Warner_Bros._Records
|
|
gptkbp:recording_artist
|
gptkb:The_Who
|
|
gptkbp:recording_location
|
gptkb:Ramport_Studios
|
|
gptkbp:recording_year
|
gptkb:1982
|
|
gptkbp:recordings
|
Analog recording
|
|
gptkbp:release_format
|
gptkb:single
|
|
gptkbp:release_year
|
gptkb:1982
|
|
gptkbp:remastered
|
gptkb:Yes
|
|
gptkbp:remix
|
gptkb:Yes
|
|
gptkbp:songwriters
|
gptkb:Pete_Townshend
gptkb:Roger_Daltrey
|
|
gptkbp:sound
|
Synthesizer-driven
|
|
gptkbp:studio
|
gptkb:Glyn_Johns
|
|
gptkbp:tempo
|
Moderate
|
|
gptkbp:theme
|
Social commentary
illusion and reality
Illusion and reality
|
|
gptkbp:vocalization
|
Lead vocals by Roger Daltrey
|
|
gptkbp:writer
|
gptkb:Pete_Townshend
|
|
gptkbp:bfsParent
|
gptkb:The_Who
|
|
gptkbp:bfsLayer
|
4
|