Statements (68)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:Composer
|
gptkbp:active_years |
2000-present
|
gptkbp:associated_act |
Computer Music
|
gptkbp:award |
gptkb:ASCAP_Award_for_Adventurous_Programming
International Computer Music Conference Award |
gptkbp:birth_place |
gptkb:United_States
|
gptkbp:birth_year |
gptkb:1980
|
gptkbp:collaborated_with |
gptkb:Paul_Lansky
David Cope |
gptkbp:field |
Music Technology
Experimental Music Algorithmic Composition Computer Music |
gptkbp:genre |
Classical
|
gptkbp:has_influence_on |
gptkb:sound_design
Music Theory Music Education Music Analysis Live Coding Modern Composers Cognitive Musicology Music Software Development Digital Music Production Music and Activism Music and Globalization Music and Social Change Music Technology Research Music and Virtual Reality Music Composition Techniques Music and Community Engagement Music and Technology Integration Music and Cultural Studies AI in Music Composition Algorithmic Music Theory Algorithmic Performance Algorithmic Soundscapes Digital Humanities in Music Generative Sound Art Interactive Sound Installations Music and AI Research Music and Augmented Reality Music and Data Visualization Music and Digital Rights Music and Environmental Awareness Music and Gender Studies Music and Identity Politics Music and Interactive Media Music and Machine Learning Music and Performance Art Music and Race Studies Music and Technology Ethics |
gptkbp:has_part |
The Algorithmic Music Lab
The Emily Howell Project The Generative Music Ensemble |
https://www.w3.org/2000/01/rdf-schema#label |
Emily Howell
|
gptkbp:influenced |
Generative Music
Algorithmic Art Interactive Music |
gptkbp:influenced_by |
gptkb:John_Cage
gptkb:Iannis_Xenakis |
gptkbp:known_for |
Algorithmic composition
|
gptkbp:notable_works |
The Algorithmic Symphony
The Generative Music Project The Infinite Orchestra |
gptkbp:occupation |
gptkb:Composer
|
gptkbp:website |
http://www.emilyhowell.com
|
gptkbp:bfsParent |
gptkb:Louisville_Cardinals
|
gptkbp:bfsLayer |
5
|