Statements (48)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
screenwriter
producer film director |
| gptkbp:activeYears |
1939
1980 |
| gptkbp:awards |
gptkb:BAFTA_Award_for_Best_Film
gptkb:BAFTA_Fellowship Academy Award for Best Original Screenplay |
| gptkbp:birthDate |
December 5, 1902
|
| gptkbp:birthPlace |
Miskolc
|
| gptkbp:children |
gptkb:Julius_Pressburger
|
| gptkbp:collaboratedWith |
gptkb:Michael_Powell
|
| gptkbp:deathDate |
February 5, 1988
|
| gptkbp:deathPlace |
gptkb:London
|
| gptkbp:education |
gptkb:University_of_Berlin
|
| gptkbp:filmography |
The Spy in Black
|
| gptkbp:genre |
fantasy
drama romance thriller |
| https://www.w3.org/2000/01/rdf-schema#label |
Emeric Pressburger
|
| gptkbp:influenced |
gptkb:Terry_Gilliam
gptkb:British_cinema gptkb:Ken_Russell gptkb:Francis_Ford_Coppola gptkb:Peter_Greenaway Martin Scorsese |
| gptkbp:influencedBy |
gptkb:Hungarian_cinema
|
| gptkbp:knownFor |
historical narratives
visual storytelling complex characters cultural commentary psychological depth artistic vision innovative narrative techniques lyrical dialogue cinematic partnerships collaborative filmmaking style exploration of themes of love and sacrifice use of color in film collaboration_with_Michael_Powell |
| gptkbp:nationality |
British
Jewish |
| gptkbp:notableWork |
The Red Shoes
A Matter of Life and Death Black Narcissus |
| gptkbp:produces |
The Boy Who Stole a Million
|
| gptkbp:spouse |
Francesca D'Arcy
|