|
gptkbp:instance_of
|
gptkb:art_exhibition
|
|
gptkbp:associated_with
|
gptkb:church
Avant-garde
|
|
gptkbp:attendance
|
gptkb:High
|
|
gptkbp:curator
|
Art historians
Gallery owners
Artists themselves
|
|
gptkbp:exhibited_at
|
gptkb:Les_Demoiselles_d'_Avignon
gptkb:The_Blue_Period
gptkb:The_Dance
gptkb:The_Red_Studio
|
|
gptkbp:historical_significance
|
Mixed reviews
Criticism from traditionalists
Positive feedback from avant-garde circles
Influenced public opinion on modern art
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Eleventh Exhibition (1909)
|
|
gptkbp:impact
|
Influenced future exhibitions
|
|
gptkbp:influenced_by
|
gptkb:sports_team
gptkb:Fauvism
|
|
gptkbp:is_featured_in
|
gptkb:painting
gptkb:artwork
Printmaking
|
|
gptkbp:is_organized_by
|
gptkb:Salon_d'_Automne
|
|
gptkbp:legacy
|
Paved the way for future exhibitions
Influenced art education
Encouraged public engagement with art
Promoted new artistic styles
Contributed to the art market
|
|
gptkbp:location
|
gptkb:Paris
|
|
gptkbp:media_coverage
|
Newspapers
Art journals
Art magazines
|
|
gptkbp:notable_artists
|
gptkb:Henri_Matisse
gptkb:Pablo_Picasso
gptkb:Amedeo_Modigliani
gptkb:Giorgio_de_Chirico
gptkb:André_Derain
|
|
gptkbp:notable_guest
|
gptkb:Artist
gptkb:collection
Art critics
|
|
gptkbp:significance
|
Showcased modern art movements
|
|
gptkbp:sponsor
|
Art institutions
Cultural organizations
Private collectors
|
|
gptkbp:type
|
gptkb:art_exhibition
|
|
gptkbp:year
|
1909
|
|
gptkbp:bfsParent
|
gptkb:Berlin_Secession_Exhibitions
|
|
gptkbp:bfsLayer
|
5
|