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gptkbp:instance_of
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gptkb:literary_work
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gptkbp:adaptation
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gptkb:films
gptkb:opera
gptkb:video_game
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gptkbp:author
|
gptkb:Dante_Alighieri
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gptkbp:critical_reception
|
widely studied
considered a masterpiece
influential in theology
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gptkbp:cultural_impact
|
inspired literature
inspired art
inspired music
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gptkbp:cultural_references
|
used in popular culture
used in academic discourse
used in modern literature
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gptkbp:famous_person
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gptkb:Lucifer
gptkb:Beatrice
gptkb:Virgil
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gptkbp:genre
|
gptkb:poet
|
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gptkbp:historical_context
|
written during the Middle Ages
influenced by Christian theology
reflects medieval worldview
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|
https://www.w3.org/2000/01/rdf-schema#label
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El Infierno
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gptkbp:influence
|
Western literature
|
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gptkbp:language
|
gptkb:Italian
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gptkbp:literary_devices
|
gptkb:Person
gptkb:language
gptkb:mythological_figure
gptkb:literary_work
simile
symbolism
imagery
irony
foreshadowing
terza rima
|
|
gptkbp:narrative_style
|
allegorical
|
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gptkbp:notable_quote
|
Abandon all hope, ye who enter here.
In His will is our peace.
The darkest places in hell are reserved for those who maintain their neutrality in times of moral crisis.
The hottest places in hell are reserved for those who, in times of great moral crisis, maintain their neutrality.
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gptkbp:part_of
|
gptkb:Divine_Comedy
|
|
gptkbp:published_by
|
1320
|
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gptkbp:related_works
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gptkb:Paradiso
gptkb:Purgatorio
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gptkbp:setting
|
gptkb:organization
|
|
gptkbp:social_structure
|
gptkb:nine_circles_of_Hell
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gptkbp:symbolism
|
moral choices
the journey of the soul
the consequences of sin
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gptkbp:themes
|
redemption
sin
divine justice
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gptkbp:bfsParent
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gptkb:Joaquín_Cosío
gptkb:Bruno_Bichir
gptkb:Joaquin_Cosio
gptkb:Damián_Alcázar
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gptkbp:bfsLayer
|
4
|