gptkbp:instance_of
|
gptkb:novel
|
gptkbp:adaptation
|
gptkb:radio_station
gptkb:graphic_novel
gptkb:film
gptkb:stage_play
|
gptkbp:author
|
gptkb:G._K._Chesterton
|
gptkbp:available_formats
|
gptkb:audiobook
gptkb:print
gptkb:e_Book
|
gptkbp:character
|
gptkb:Lucian_Gregory
gptkb:Professor_de_Worms
the police
Syme's fiancée
|
gptkbp:critical_reception
|
positive
|
gptkbp:cultural_impact
|
influenced later writers
inspired adaptations in various media
inspired literary analysis
inspired discussions on politics
|
gptkbp:genre
|
philosophical thriller
|
https://www.w3.org/2000/01/rdf-schema#label
|
El Hombre que Fue Jueves
|
gptkbp:influence
|
gptkb:existentialism
surrealism
|
gptkbp:influenced
|
gptkb:Huxley's_Brave_New_World
gptkb:Orwell's_1984
gptkb:Tolkien's_works
gptkb:Kafka's_The_Trial
Philip K. Dick's works
Borges' works
David Lynch's works
Camus' The Stranger
Dostoevsky's The Possessed
Terry Gilliam's works
|
gptkbp:isbn
|
978-1-84749-100-0
|
gptkbp:language
|
English
|
gptkbp:main_character
|
gptkb:Gabriel_Syme
|
gptkbp:narrative_style
|
first-person
|
gptkbp:notable_quote
|
" The man who was Thursday"
|
gptkbp:original_language
|
English
|
gptkbp:page_count
|
256
|
gptkbp:plot
|
a chase through London
a philosophical exploration of freedom
a revelation of true identities
a secret society of anarchists
|
gptkbp:published
|
1908
|
gptkbp:publisher
|
gptkb:Cassell_and_Company
|
gptkbp:setting
|
gptkb:London
|
gptkbp:theme
|
gptkb:identity
anarchy
order vs chaos
|
gptkbp:bfsParent
|
gptkb:Oswaldo_Guayasamín
|
gptkbp:bfsLayer
|
5
|