"Nachklang" Op. 59 No. 4
E935797
"Nachklang" Op. 59 No. 4 is a lyrical song by Johannes Brahms whose melody later served as thematic material in his Violin Sonata No. 1 in G major, Op. 78.
All labels observed (1)
| Label | Occurrences |
|---|---|
| "Nachklang" Op. 59 No. 4 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T11595006 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: "Nachklang" Op. 59 No. 4 Context triple: [Violin Sonata No. 1 in G major, Op. 78, usesMelodyFrom, "Nachklang" Op. 59 No. 4]
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A.
Symphony No. 4 in D minor, Op. 120
Symphony No. 4 in D minor, Op. 120 is a Romantic-era symphony by Robert Schumann, known for its cyclic structure and tightly integrated movements that create a unified, dramatic whole.
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B.
Piano Quintet in G minor, Op. 99
The Piano Quintet in G minor, Op. 99 is a Romantic chamber work for piano and string quartet by Russian composer Anton Rubinstein, noted for its virtuosic piano writing and rich, symphonic textures.
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C.
Suite No. 3 in G major, Op. 55
Suite No. 3 in G major, Op. 55 is a large-scale orchestral suite by Pyotr Ilyich Tchaikovsky, notable for its expansive final theme and variations movement and its rich, Romantic orchestration.
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D.
Symphony No. 4 in E minor, Op. 98
Symphony No. 4 in E minor, Op. 98 is Johannes Brahms’s final symphony, renowned for its profound emotional depth, masterful orchestration, and innovative use of Baroque-inspired variation form in the finale.
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E.
Kaleidoskop, Op. 40
Kaleidoskop, Op. 40 is a virtuosic piano composition by Josef Hofmann, showcasing his Romantic-era brilliance and technical flair as both composer and pianist.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: "Nachklang" Op. 59 No. 4 Target entity description: "Nachklang" Op. 59 No. 4 is a lyrical song by Johannes Brahms whose melody later served as thematic material in his Violin Sonata No. 1 in G major, Op. 78.
-
A.
Symphony No. 4 in D minor, Op. 120
Symphony No. 4 in D minor, Op. 120 is a Romantic-era symphony by Robert Schumann, known for its cyclic structure and tightly integrated movements that create a unified, dramatic whole.
-
B.
Piano Quintet in G minor, Op. 99
The Piano Quintet in G minor, Op. 99 is a Romantic chamber work for piano and string quartet by Russian composer Anton Rubinstein, noted for its virtuosic piano writing and rich, symphonic textures.
-
C.
Suite No. 3 in G major, Op. 55
Suite No. 3 in G major, Op. 55 is a large-scale orchestral suite by Pyotr Ilyich Tchaikovsky, notable for its expansive final theme and variations movement and its rich, Romantic orchestration.
-
D.
Symphony No. 4 in E minor, Op. 98
Symphony No. 4 in E minor, Op. 98 is Johannes Brahms’s final symphony, renowned for its profound emotional depth, masterful orchestration, and innovative use of Baroque-inspired variation form in the finale.
-
E.
Kaleidoskop, Op. 40
Kaleidoskop, Op. 40 is a virtuosic piano composition by Josef Hofmann, showcasing his Romantic-era brilliance and technical flair as both composer and pianist.
- F. None of above. chosen
Statements (25)
| Predicate | Object |
|---|---|
| instanceOf |
art song
ⓘ
composer ⓘ lied ⓘ violin sonata ⓘ |
| catalogueGrouping | Op. 59 ⓘ |
| composed | Nachklang Op. 59 No. 4 NERFINISHED ⓘ |
| composer |
Johannes Brahms
NERFINISHED
ⓘ
Johannes Brahms NERFINISHED ⓘ |
| composerStyle | late Romantic ⓘ |
| countryOfCitizenship | Germany ⓘ |
| countryOfOrigin | Germany ⓘ |
| era | 19th century ⓘ |
| genre | Romantic art song ⓘ |
| hasComposer | Johannes Brahms NERFINISHED ⓘ |
| hasMelodicMaterialReusedIn | Violin Sonata No. 1 in G major Op. 78 NERFINISHED ⓘ |
| hasTitle | Nachklang NERFINISHED ⓘ |
| key |
A major
ⓘ
G major ⓘ |
| language | German ⓘ |
| lyricalCharacter | lyrical ⓘ |
| opusNumber | Op. 59 No. 4 ⓘ |
| period | Romantic era ⓘ |
| scoring | voice and piano ⓘ |
| usesThematicMaterialFrom | Nachklang Op. 59 No. 4 NERFINISHED ⓘ |
| workNumberWithinOpus | 4 ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: "Nachklang" Op. 59 No. 4 Description of subject: "Nachklang" Op. 59 No. 4 is a lyrical song by Johannes Brahms whose melody later served as thematic material in his Violin Sonata No. 1 in G major, Op. 78.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.