La Maman et la Putain
E904245
La Maman et la Putain is a landmark 1973 French New Wave–era film by Jean Eustache, renowned for its lengthy, talk-driven exploration of post-1968 Parisian relationships and emotional disillusionment.
All labels observed (1)
| Label | Occurrences |
|---|---|
| La Maman et la Putain canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T11091843 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: La Maman et la Putain Context triple: [Jean Eustache, notableWork, La Maman et la Putain]
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A.
La Chienne
La Chienne is a 1931 French drama film directed by Jean Renoir, notable as an early sound feature exploring themes of obsession, deception, and moral downfall.
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B.
Le Poinçonneur des Lilas
"Le Poinçonneur des Lilas" is a 1958 chanson by Serge Gainsbourg that tells the darkly humorous, melancholic story of a Paris Métro ticket puncher dreaming of escape from his monotonous job.
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C.
Les Sœurs Vatard
Les Sœurs Vatard is a naturalist novel by Joris-Karl Huysmans that portrays the lives and struggles of two working-class sisters in late 19th-century Paris.
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D.
Chaise cassée
Chaise cassée is the French title of the monumental Broken Chair sculpture, a giant wooden chair with a broken leg symbolizing opposition to land mines and armed violence, located in Geneva.
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E.
La Bonne Mère
La Bonne Mère is the affectionate local nickname for Marseille’s hilltop basilica Notre-Dame de la Garde, a major Catholic sanctuary and emblematic symbol of the city watching over its harbor.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: La Maman et la Putain Target entity description: La Maman et la Putain is a landmark 1973 French New Wave–era film by Jean Eustache, renowned for its lengthy, talk-driven exploration of post-1968 Parisian relationships and emotional disillusionment.
-
A.
La Chienne
La Chienne is a 1931 French drama film directed by Jean Renoir, notable as an early sound feature exploring themes of obsession, deception, and moral downfall.
-
B.
Le Poinçonneur des Lilas
"Le Poinçonneur des Lilas" is a 1958 chanson by Serge Gainsbourg that tells the darkly humorous, melancholic story of a Paris Métro ticket puncher dreaming of escape from his monotonous job.
-
C.
Les Sœurs Vatard
Les Sœurs Vatard is a naturalist novel by Joris-Karl Huysmans that portrays the lives and struggles of two working-class sisters in late 19th-century Paris.
-
D.
Chaise cassée
Chaise cassée is the French title of the monumental Broken Chair sculpture, a giant wooden chair with a broken leg symbolizing opposition to land mines and armed violence, located in Geneva.
-
E.
La Bonne Mère
La Bonne Mère is the affectionate local nickname for Marseille’s hilltop basilica Notre-Dame de la Garde, a major Catholic sanctuary and emblematic symbol of the city watching over its harbor.
- F. None of above. chosen
Statements (49)
| Predicate | Object |
|---|---|
| instanceOf |
French New Wave–era film
ⓘ
French film ⓘ art film ⓘ drama film ⓘ film ⓘ |
| associatedWithDirector | Jean Eustache NERFINISHED ⓘ |
| awardReceived |
FIPRESCI Prize (Cannes Film Festival)
NERFINISHED
ⓘ
Grand Prix du Jury (Cannes Film Festival) NERFINISHED ⓘ |
| blackAndWhite | true ⓘ |
| castMember |
Bernadette Lafont
NERFINISHED
ⓘ
Françoise Lebrun NERFINISHED ⓘ Jean-Pierre Léaud NERFINISHED ⓘ |
| character | Alexandre NERFINISHED ⓘ |
| cinematographyBy | Pierre Lhomme NERFINISHED ⓘ |
| countryOfOrigin | France ⓘ |
| criticalReputation |
cult classic
ⓘ
landmark of 1970s European cinema ⓘ |
| director | Jean Eustache NERFINISHED ⓘ |
| editedBy | Jean Eustache NERFINISHED ⓘ |
| era | post-May 1968 era ⓘ |
| filmFestival | Cannes Film Festival NERFINISHED ⓘ |
| genre |
drama
ⓘ
romantic drama ⓘ talk-driven film ⓘ |
| hasDialogueDrivenStructure | true ⓘ |
| influenced | later European art cinema ⓘ |
| leadActor | Jean-Pierre Léaud NERFINISHED ⓘ |
| movement | French New Wave NERFINISHED ⓘ |
| musicBy | various pre-existing recordings ⓘ |
| notableFor |
depiction of emotional disillusionment
ⓘ
exploration of post-1968 relationships ⓘ lengthy dialogue scenes ⓘ |
| originalLanguage | French ⓘ |
| premiereEvent | 1973 Cannes Film Festival NERFINISHED ⓘ |
| producer | Jean Eustache NERFINISHED ⓘ |
| productionCompany | Les Films du Losange NERFINISHED ⓘ |
| releaseDate | 1973-05-17 ⓘ |
| releaseYear | 1973 ⓘ |
| runtimeMinutes | 217 ⓘ |
| screenwriter | Jean Eustache NERFINISHED ⓘ |
| setInCity | Paris NERFINISHED ⓘ |
| setInPeriod | post-1968 France ⓘ |
| theme |
bourgeois intellectual life
ⓘ
emotional disillusionment ⓘ romantic relationships ⓘ sexual freedom ⓘ |
| title | La Maman et la Putain NERFINISHED ⓘ |
| translatedTitle | The Mother and the Whore NERFINISHED ⓘ |
| writer | Jean Eustache NERFINISHED ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: La Maman et la Putain Description of subject: La Maman et la Putain is a landmark 1973 French New Wave–era film by Jean Eustache, renowned for its lengthy, talk-driven exploration of post-1968 Parisian relationships and emotional disillusionment.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.