Beyoncé’s 2018 Coachella performance
E828116
Beyoncé’s 2018 Coachella performance was a landmark, HBCU-themed headlining set celebrated for its ambitious live production, cultural impact, and historic significance as the first by a Black woman at the festival.
All labels observed (6)
How this entity was disambiguated
This entity first appeared as the object of triple T9879813 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Beyoncé’s 2018 Coachella performance Context triple: [Homecoming, records, Beyoncé’s 2018 Coachella performance]
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A.
Beyoncé's 4 era
Beyoncé's 4 era is the artistic period surrounding her fourth studio album, marked by a more mature R&B sound, powerful live performances, and deeply personal themes of love, independence, and vulnerability.
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B.
Beyoncé’s Renaissance trilogy
Beyoncé’s Renaissance trilogy is a three-part interconnected album project that explores and celebrates Black musical history and culture across distinct sonic eras.
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C.
Super Bowl XLVIII halftime show
The Super Bowl XLVIII halftime show was a high-profile NFL championship game performance headlined by Bruno Mars, featuring an energetic mix of pop, rock, and elaborate staging before a massive global audience.
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D.
Super Bowl XLVII halftime show
The Super Bowl XLVII halftime show was a high-profile live musical performance headlined by Beyoncé, featuring a Destiny’s Child reunion, during the NFL championship game in 2013.
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E.
Super Bowl LIV halftime show
The Super Bowl LIV halftime show was a high-profile musical performance headlined by Jennifer Lopez and Shakira, featuring elaborate staging, Latin music influences, and guest appearances before a massive global television audience.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Beyoncé’s 2018 Coachella performance Target entity description: Beyoncé’s 2018 Coachella performance was a landmark, HBCU-themed headlining set celebrated for its ambitious live production, cultural impact, and historic significance as the first by a Black woman at the festival.
-
A.
Beyoncé's 4 era
Beyoncé's 4 era is the artistic period surrounding her fourth studio album, marked by a more mature R&B sound, powerful live performances, and deeply personal themes of love, independence, and vulnerability.
-
B.
Beyoncé’s Renaissance trilogy
Beyoncé’s Renaissance trilogy is a three-part interconnected album project that explores and celebrates Black musical history and culture across distinct sonic eras.
-
C.
Super Bowl XLVIII halftime show
The Super Bowl XLVIII halftime show was a high-profile NFL championship game performance headlined by Bruno Mars, featuring an energetic mix of pop, rock, and elaborate staging before a massive global audience.
-
D.
Super Bowl XLVII halftime show
The Super Bowl XLVII halftime show was a high-profile live musical performance headlined by Beyoncé, featuring a Destiny’s Child reunion, during the NFL championship game in 2013.
-
E.
Super Bowl LIV halftime show
The Super Bowl LIV halftime show was a high-profile musical performance headlined by Jennifer Lopez and Shakira, featuring elaborate staging, Latin music influences, and guest appearances before a massive global television audience.
- F. None of above. chosen
Statements (96)
| Predicate | Object |
|---|---|
| instanceOf |
concert
ⓘ
live album source performance ⓘ music festival performance ⓘ |
| alsoKnownAs |
Beychella
ⓘ
Beyoncé’s Coachella 2018 set ⓘ
linked to:
Beyoncé’s 2018 Coachella performance
|
| audienceSizeEstimate | tens of thousands in-person ⓘ |
| audioRelease | Homecoming: The Live Album ⓘ |
| audioReleaseDate | 2019-04-17 ⓘ |
| broadcastOn |
YouTube (Coachella livestream)
ⓘ
linked to:
YouTube
|
| choreographer | JaQuel Knight ⓘ |
| costumeDesigner |
Balmain
ⓘ
Olivier Rousteing ⓘ |
| costumeTheme | custom collegiate-inspired uniforms ⓘ |
| creativeDirector |
Beyoncé
ⓘ
Parkwood Entertainment ⓘ |
| criticalReception | unanimous acclaim ⓘ |
| date |
2018-04-14
ⓘ
2018-04-21 ⓘ |
| describedAs |
historic
ⓘ
landmark in Black popular culture ⓘ one of the greatest festival performances of all time ⓘ |
| documentaryDistributor | Netflix ⓘ |
| documentaryReleaseDate | 2019-04-17 ⓘ |
| documentedIn | Homecoming: A Film by Beyoncé ⓘ |
| featuredEnsemble |
full marching band
ⓘ
large choir ⓘ majorettes ⓘ step team–style dancers ⓘ |
| featuredSongWithJayZ |
“Deja Vu”
ⓘ
linked to:
Deja Vu
|
| featuredSongWithSolange |
“Get Me Bodied” (dance break)
ⓘ
linked to:
Get Me Bodied
|
| featuredSymbol |
Greek-letter–style crest for Beyoncé’s fictional sorority
ⓘ
yellow and black HBCU-style hoodies and jerseys ⓘ |
| festivalEdition | Coachella 2018 ⓘ |
| guestAppearance |
Jay-Z
ⓘ
Kelly Rowland ⓘ Michelle Williams ⓘ Solange Knowles ⓘ |
| headliner | true ⓘ |
| impact |
influenced subsequent large-scale pop tours and festival sets
ⓘ
raised expectations for festival headlining productions ⓘ spotlighted HBCU culture on a global stage ⓘ |
| includedSong |
“7/11” (elements)
ⓘ
“Baby Boy” (elements) ⓘ
linked to:
Baby Boy
“Bow Down” ⓘ “Check On It” (elements) ⓘ
linked to:
Check on It
“Check On It” (snippet) ⓘ
linked to:
Check on It
“Crazy in Love” ⓘ
linked to:
Crazy in Love
“Deja Vu” ⓘ
linked to:
Deja Vu
“Diva” ⓘ “Don’t Hurt Yourself” ⓘ
linked to:
Don’t Hurt Yourself
“Drunk in Love” ⓘ
linked to:
Drunk in Love
“Flawless” / “Feeling Myself” section ⓘ “Formation” ⓘ
linked to:
"Formation" – Beyoncé
“Formation” (extended live arrangement) ⓘ
linked to:
"Formation" – Beyoncé
“Freedom” ⓘ “Get Me Bodied” ⓘ
linked to:
Get Me Bodied
“I Been On” (elements) ⓘ
linked to:
I Been On
“I Care” (instrumental elements) ⓘ
linked to:
I Care
“Lift Every Voice and Sing” (interlude) ⓘ
linked to:
Lift Every Voice and Sing
“Lose My Breath” (Destiny’s Child) ⓘ
linked to:
Lose My Breath
“Love On Top” ⓘ “Mi Gente (Remix)” ⓘ
linked to:
Mi Gente
“Naughty Girl” (elements) ⓘ
linked to:
Naughty Girl
“Partition” ⓘ
linked to:
Partition
“Run the World (Girls)” ⓘ
linked to:
Run the World (Girls)
“Say My Name” (Destiny’s Child) ⓘ
linked to:
Say My Name
“Single Ladies (Put a Ring on It)” ⓘ
linked to:
Single Ladies (Put a Ring on It)
“Soldier” (Destiny’s Child) ⓘ “Sorry” ⓘ
linked to:
Sorry
“Sorry” / “Kitty Kat” section ⓘ
linked to:
Kitty Kat
“Sorry” / “Me, Myself and I” mashup ⓘ “Top Off” (snippet) ⓘ “Yoncé” (elements) ⓘ |
| includedSpokenWord | samples of Chimamanda Ngozi Adichie’s feminism speech (via “***Flawless”) ⓘ |
| inspiredBy | historically Black colleges and universities ⓘ |
| lightingDesign | stadium-style, color-coordinated with costumes ⓘ |
| location |
Empire Polo Club, Indio, California, United States
ⓘ
linked to:
Empire Polo Club
|
| notableFor | first Coachella headlining set by a Black woman ⓘ |
| numberOfPerformersOnStage | over 100 ⓘ |
| openingSong | “Crazy in Love” (HBCU band arrangement) ⓘ |
| partOf | Coachella Valley Music and Arts Festival ⓘ |
| performer | Beyoncé ⓘ |
| politicalAndCulturalReferences |
African-American history
ⓘ
Black Lives Matter ⓘ
linked to:
Black Lives Matter movement
Black feminism ⓘ |
| precededBy | Beyoncé’s cancellation of 2017 Coachella appearance due to pregnancy ⓘ |
| productionDesigner | Es Devlin ⓘ |
| rehearsalPeriod | approximately eight months ⓘ |
| reunitedGroup |
Destiny’s Child
ⓘ
linked to:
Destiny's Child
|
| setLength | approximately two hours ⓘ |
| sound | live marching band reinterpretations of Beyoncé’s catalog ⓘ |
| stageDesignFeature |
large onstage bleachers filled with band and dancers
ⓘ
multi-level bleacher-style pyramid set ⓘ |
| theme | HBCU homecoming ⓘ |
| videoDirection | multi-camera live broadcast ⓘ |
| viewership | millions via livestream and later recordings ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Beyoncé’s 2018 Coachella performance Description of subject: Beyoncé’s 2018 Coachella performance was a landmark, HBCU-themed headlining set celebrated for its ambitious live production, cultural impact, and historic significance as the first by a Black woman at the festival.
Referenced by (6)
Full triples — surface form annotated when it differs from this entity's canonical label.