The Gleaners and I

Target entity: The Gleaners and I
Context triple: [Agnès Varda, notableWork, The Gleaners and I]

• A. The Gleaners
  The Gleaners is an 1857 realist painting by Jean-François Millet that poignantly depicts three peasant women gleaning leftover grain in a field, symbolizing rural poverty and social inequality in 19th-century France.
• B. Les Pauvres Gens
  Les Pauvres Gens is a narrative poem by Victor Hugo that portrays the dignity, compassion, and quiet heroism of a poor fishing family living in hardship.
• C. Les Paysans
  Les Paysans is a novel by Honoré de Balzac that portrays the social and economic conflicts between peasants and landowners in rural post-Revolutionary France, and forms part of his larger cycle La Comédie humaine.
• D. La Moisson
  La Moisson is a painting by French Post-Impressionist artist Émile Bernard, exemplifying his early synthetist style and interest in rural, agrarian themes.
• E. Les Règles de l’art
  Les Règles de l’art is a major sociological study by Pierre Bourdieu that analyzes the social conditions of literary production and the emergence of the autonomous artistic field in 19th-century France.
• F. None of above. chosen
• G. Unsure - the case is ambiguous/there is not enough information to decide.

Target entity: The Gleaners and I
Target entity description: The Gleaners and I is a 2000 French documentary film by Agnès Varda that poetically explores modern-day gleaners and themes of waste, survival, and aging through a personal, essayistic style.

• A. The Gleaners
  The Gleaners is an 1857 realist painting by Jean-François Millet that poignantly depicts three peasant women gleaning leftover grain in a field, symbolizing rural poverty and social inequality in 19th-century France.
• B. Les Pauvres Gens
  Les Pauvres Gens is a narrative poem by Victor Hugo that portrays the dignity, compassion, and quiet heroism of a poor fishing family living in hardship.
• C. Les Paysans
  Les Paysans is a novel by Honoré de Balzac that portrays the social and economic conflicts between peasants and landowners in rural post-Revolutionary France, and forms part of his larger cycle La Comédie humaine.
• D. La Moisson
  La Moisson is a painting by French Post-Impressionist artist Émile Bernard, exemplifying his early synthetist style and interest in rural, agrarian themes.
• E. Les Règles de l’art
  Les Règles de l’art is a major sociological study by Pierre Bourdieu that analyzes the social conditions of literary production and the emergence of the autonomous artistic field in 19th-century France.
• F. None of above. chosen