Einführung in die Lehre Heinrich Schenkers
E785658
Einführung in die Lehre Heinrich Schenkers is Oswald Jonas’s influential exposition and interpretation of Heinrich Schenker’s music-theoretical system, serving as a key text in the dissemination of Schenkerian analysis.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Einführung in die Lehre Heinrich Schenkers canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T9225639 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Einführung in die Lehre Heinrich Schenkers Context triple: [Oswald Jonas, notableWork, Einführung in die Lehre Heinrich Schenkers]
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A.
Schillinger System of Musical Composition
The Schillinger System of Musical Composition is a mathematically based, highly systematic approach to music theory and composition developed by Joseph Schillinger that influenced modern music education and institutions like Berklee.
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B.
Schoenberg et son école
"Schoenberg et son école" is a seminal musicological study by René Leibowitz that analyzes and defends Arnold Schoenberg’s twelve-tone method and the development of the Second Viennese School.
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C.
Die Lehre von den Tonempfindungen
Die Lehre von den Tonempfindungen is Hermann von Helmholtz’s foundational 19th-century treatise on the physiological and psychological basis of musical tone and acoustics.
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D.
Harmonielehre
Harmonielehre is a large-scale orchestral work by American composer John Adams that blends minimalist techniques with late-Romantic harmonic richness and expressive power.
-
E.
Traité de la forme musicale
Traité de la forme musicale is a theoretical music treatise by composer and theorist René Leibowitz that analyzes and explains the principles and structures of musical form.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Einführung in die Lehre Heinrich Schenkers Target entity description: Einführung in die Lehre Heinrich Schenkers is Oswald Jonas’s influential exposition and interpretation of Heinrich Schenker’s music-theoretical system, serving as a key text in the dissemination of Schenkerian analysis.
-
A.
Schillinger System of Musical Composition
The Schillinger System of Musical Composition is a mathematically based, highly systematic approach to music theory and composition developed by Joseph Schillinger that influenced modern music education and institutions like Berklee.
-
B.
Schoenberg et son école
"Schoenberg et son école" is a seminal musicological study by René Leibowitz that analyzes and defends Arnold Schoenberg’s twelve-tone method and the development of the Second Viennese School.
-
C.
Die Lehre von den Tonempfindungen
Die Lehre von den Tonempfindungen is Hermann von Helmholtz’s foundational 19th-century treatise on the physiological and psychological basis of musical tone and acoustics.
-
D.
Harmonielehre
Harmonielehre is a large-scale orchestral work by American composer John Adams that blends minimalist techniques with late-Romantic harmonic richness and expressive power.
-
E.
Traité de la forme musicale
Traité de la forme musicale is a theoretical music treatise by composer and theorist René Leibowitz that analyzes and explains the principles and structures of musical form.
- F. None of above. chosen
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf |
music theory book
ⓘ
scholarly monograph ⓘ |
| about |
Bassbrechung concept
ⓘ
Heinrich Schenker’s theoretical system ⓘ Urlinie concept ⓘ Ursatz concept ⓘ foreground middleground background in music ⓘ hierarchical levels in music ⓘ structural hearing in tonal music ⓘ tonal structure ⓘ |
| aim |
to introduce Heinrich Schenker’s theoretical system
ⓘ
to systematize Schenker’s analytical concepts for readers ⓘ |
| author | Oswald Jonas NERFINISHED ⓘ |
| clarifies |
methodological principles of Schenker’s approach
ⓘ
terminology of Schenkerian analysis ⓘ |
| countryOfOrigin | Austria ⓘ |
| describedAs |
influential exposition of Schenker’s system
ⓘ
key text in the dissemination of Schenkerian analysis ⓘ |
| documentationOf | core concepts of Schenker’s music theory ⓘ |
| field |
music analysis
ⓘ
music theory ⓘ |
| genre | music-theoretical treatise ⓘ |
| hasForm |
analytical examples
ⓘ
prose exposition ⓘ |
| hasInfluenceOn |
pedagogy of Schenkerian analysis
ⓘ
reception of Schenker’s ideas in the 20th century ⓘ |
| hasPerspective | interpretive presentation of Schenker’s ideas ⓘ |
| hasTitle | Einführung in die Lehre Heinrich Schenkers NERFINISHED ⓘ |
| influenced |
Anglophone music theory discourse on Schenker
ⓘ
postwar Schenkerian analysis ⓘ |
| influencedBy |
Heinrich Schenker
NERFINISHED
ⓘ
Schenkerian theory NERFINISHED ⓘ |
| intendedAudience |
advanced music students
ⓘ
music theorists ⓘ professional musicians ⓘ |
| language | German ⓘ |
| mainSubject |
Heinrich Schenker
NERFINISHED
ⓘ
Schenkerian analysis NERFINISHED ⓘ music theory ⓘ |
| relatedWork |
Heinrich Schenker’s Der freie Satz
NERFINISHED
ⓘ
Heinrich Schenker’s Harmonielehre NERFINISHED ⓘ Heinrich Schenker’s Kontrapunkt NERFINISHED ⓘ |
| scholarlyReception | considered a standard reference on Schenkerian theory ⓘ |
| titleLanguage | German ⓘ |
| topic | tonal music of the common-practice period ⓘ |
How these facts were elicited
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Subject: Einführung in die Lehre Heinrich Schenkers Description of subject: Einführung in die Lehre Heinrich Schenkers is Oswald Jonas’s influential exposition and interpretation of Heinrich Schenker’s music-theoretical system, serving as a key text in the dissemination of Schenkerian analysis.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.